| Through the study and study of the literature and books related to traditional creation in the Ming and Qing Dynasties,find the relevant arguments to sort out and summarize.The books related to traditional creation include the works of sages in the Ming and Qing Dynasties,such as the annals of Chang Wu written by Wen Zhenheng,the opening of things by heaven written by song Yingxing,and Yuanye written by Ji Cheng.After reading the ancient books,it is found that many wise men’s views on creation and their views and practices on space aesthetics in this period are expounded.Since modern times,modern scholars have made continuous research and made new progress in this field,such as Zong Baihua’s art realm,aesthetic walk,Li Zehou’s the process of beauty,Xu Biao’s the way to success,Li Xiaodong’s Chinese space,etc.The main research content of this paper is the space aesthetic thought in the traditional creation of the Ming and Qing Dynasties,but the author found that there are not many articles focusing on the space aesthetic thought in the traditional creation,and most of the published doctoral theses focus on the research of the creation thought itself.Therefore,from the perspective of traditional creation,this paper attempts to explore the Spatial Aesthetics of traditional creation in the Ming and Qing Dynasties.This not only brings challenges to the research,but also provides a certain driving force.I hope to develop new ideas and apply the research results to contemporary space aesthetics.This paper mainly studies from the following five parts:The first part mainly shows the research purpose and significance of this paper by combing the background of the topic and the research status at home and abroad,so as to put forward the innovation and difficulties,summarize the research results of the academic circles on the creation and space aesthetics of the Ming and Qing Dynasties,and sort out the research framework of this paper.The second part systematically summarizes the concepts and related theories of traditional creation and space aesthetics.Through the sorting and summary of its theoretical construction,it expounds the composition of space aesthetics,the relationship between space view,space aesthetics and environmental design specialty,the necessity of environmental design specialty to study space aesthetics,and the good development and promotion of human settlements space design.The third part summarizes the traditional creation wisdom and the expression of space aesthetics in the Ming and Qing Dynasties,especially the space view in the creation of the Ming and Qing Dynasties.Through the systematic understanding of "creation" in the Ming and Qing Dynasties,as well as the summary of "creation" in the study of "creation" in the three parts of the tradition.The fourth part,through the field investigation of Beijing quadrangles and Suzhou gardens,observes and studies the artifacts and boundary paintings of the Ming and Qing Dynasties,summarizes the embodiment and application of the space concept in the creation of the Ming and Qing Dynasties in the courtyard architecture,Jiangnan private gardens,furniture artifacts and literary works,and excavates the expression and design strategies of the logic of creation and the beauty of space,so as to guide the later creation practice.The fifth part expounds that the traditional concept of space still has high application value in contemporary design through the research on the application strategies of the traditional concept of space,such as the creation concept of emphasizing self service,the integration of heaven and earth,the combination of material and engineering,the hierarchical aesthetic feeling of the combination of open and abstruse,the creation of natural atmosphere and the analysis and translation of space diagrams,combined with the application of the above design logic in contemporary design,and according to the design expression system of excellent works,Guide and reference the graduation design works. |