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A Study On The Differences In Interpretation Of Traditional Music

Posted on:2024-01-26Degree:MasterType:Thesis
Country:ChinaCandidate:X Y ZhangFull Text:PDF
GTID:2545306920471654Subject:art
Abstract/Summary:PDF Full Text Request
The traditional Hakka Zheng song "Lotus out of Water",which has condensed the spiritual power of excellent traditional Chinese culture,still plays the music of "harmony without difference" with the ancient instrument of Zheng in the current era.We are proud of it,but also very pleased to find that the traditional Zheng song has taken root in the folk and professional colleges and universities under the background of Chinese spiritual civilization.Although the deductive form and auditory feeling are different,what they inherit is the elegant quality of the image of "lotus",which is the enduring essence of Chinese culture.Even across the ages,there are generations of zheng people still use touching melody,in different ways,different forms of the torch.This paper is divided into three parts: 1.Introduction: 1.2.Research status;3.Research perspectives and methods.The first chapter of the text is the general situation of Hakka Zheng song "Water Lotus";The second chapter is the comparison and analysis of playing angles between the two versions of "Lotus out of Water";The third chapter,through the comparison of the previous chapter,studies the different aesthetic reasons of the work in different periods and its influence on the inheritance and development;Conclusion Through the above research,the reflection on the performance of traditional Zheng music is triggered,the general learning rules of traditional Zheng music are summarized,and the relationship between its inheritance and development and its significance are explored.
Keywords/Search Tags:Hakka Zheng song "Lotus out of Water", Rao’s version, Yuan Sha version, Multi-angle interpretation
PDF Full Text Request
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