Research On Image And Illustration Design Of Han Dynasty Stone Carvings In Wushi Temple

Han stone sculpture is essentially a kind of funerary architectural structure with stone carving patterns.Its development and evolution depended on the development,prosperity and decline of the "filial piety" culture and the wind of thick burial in the Han Dynasty,and had an important impact on the development of Chinese fine arts after the Han Dynasty.In Shandong,there are many Han painting stone carving tombs,among which the stone carving tombs of Wu family in Jiaxiang is a typical representative.This paper mainly studies the stone images of Han paintings in Wushi Temple,and uses the research results to design and practice creation.Firstly,it analyzes the graphic language of the stone images of Han Dynasty paintings in Wushi Temple.Secondly,through the comparison of the original stone and rubbings of Han Dynasty paintings in Wushi Temple,the nature of illustration is analyzed.Finally,based on the research results,I design and practice and create the picture book Story on the Stone.This paper is mainly divided into four parts:The first part is an overview of the Han Dynasty stone engravings in Wu Clan Temple.First of all,under the influence of economy,politics,ideology and culture during the Han Dynasty,stone tomb architecture flourished and stone carvings of Han paintings were widely distributed,forming a geographical distribution centered in Shandong,Henan,Shaanxi and Sichuan.Secondly,the culture headed by the thought of divination,myths and legends,the three main principles and the Five Changs promoted the prosperity of the Han Dynasty ideology,and also brought a large number of stories for the stone engravings of Han paintings in the Wuji Temple.Finally,the special carving techniques used in the stone carvings of Han paintings in Wudi Temple have created its special image features and artistic style.The second part mainly studies the graphic language of the stone engravings of Han Dynasty paintings in Wushi Temple.In terms of composition,this paper analyzes and summarizes the composition characteristics of Han Dynasty stone carvings in Wushi Temple,and demonstrates their characteristics in three parts.In the aspect of graphics,firstly,through specific images,the modeling characteristics of the Han Dynasty stone carving images in the Wu Clan Temple are demonstrated from multiple angles.Secondly,it extracts a large number of similar figures in the stone carvings of Han paintings in the temple of Wu Clan,taking this as a fundamental demonstration of the phenomenon of standard figures in the stone carvings of Han paintings in the temple of Wu Clan.Finally,the presentation of idol expression is discussed through the special position of the image in the overall layout of the ancestral temple.The third part is the demonstration of the relationship between the original stone and the rubbingsand the analysis of the illustration nature of the images.This chapter will first analyze the relationship between the original stone and the rubbings,and then start from the narrative and decorative image,reasonably promote the planarization and illustration of the Han Dynasty stone engravings in Wushi Temple.The fourth part mainly analyzes<the design content of the Story on the Stone>,the design practice of the illustrated picture book.Select the appropriate subject matter,compare the original meaning of the subject matter with the realistic social significance,and carry out artistic adaptation and series of the selected five parts of the subject matter.Through the form of illustration,using the modeling language of Han Dynasty painting stone carving in Wushi Temple,the design practice——<the overall effect of the Story on the Stone is displayed>.