On The Disaster Writing In A Lai’s Novels

Disaster is inevitable in the development trend of human history.Therefore,the writing and research of disaster itself,the ethnic memory engraved after disaster,and the discussion of the relationship between man and society,man and nature,man and man,and redemption are indispensable in disaster writing.In his early days,A lai entered the literary world as a poet.From poetry,prose to novels,he inevitably talked about the historical changes and environmental damage in Jiarong Tibetan area.Disasters,history and natural environment are one of the long rivers of the times.A Lai is linked to nature and has a keen sense of nature itself.A Lai describes a large number of living scenes of man and nature in his works,and there are many writings about disasters.At the same time,the occurrence and experience of many disasters have made A Lai,as a Tibetan people,realize the benefits and harms of the geographical location,ethnic culture and religious culture of the hometown represented by Jiarong Tibetan area.Combined with the background of the times,A Lai analyzed the causes of disasters and secondary disasters from the dual perspectives of nature and society,and analyzed the social,historical and cultural characteristics and natural environment characteristics behind the disasters.In combination with historical culture,ethnic culture and religious culture,A Lai has given ethnic characteristics to his disaster writing.In the process of A Lai ’s disaster writing,before the disaster,he will use the mysterious legends of Tibetan culture and ethnic groups to render and predict the occurrence of disasters,creating a sense of mystery for the novel.After the disaster,he will use the mysterious legends of Tibetan culture and ethnic groups to find the ’ root ’ of the Tibetan people ’s mind and body,and explore the salvation path after the disaster;combined with previous creative experience,A Lai has given great imagination and poetic space to his disaster writing.He attempts to reconstruct the relationship between reality and disaster with light language and beautiful imagination,construct the connection between memory and disaster for the victims,and highlight the destructiveness of disaster between beauty and reality.A Lai expresses his suffering in a poetic way,which is more direct to the reader ’s psychology and creates a new aesthetic space for his disaster writing.A Lai ’s disaster writing does not dwell too much on the scene when the disaster occurs.He is not a recorder of the disaster,but a thinker after the disaster.A Lai pays more attention to the survival mood and action direction of the people in Jiarong Tibetan area under the influence of the millennium folk culture before and after the disaster,and makes a philosophical thinking on the natural and human disasters faced by Jiarong Tibetan area in the plateau canyon area and the unique cultural salvation mode of Jiarong Tibetan area.A Lai believes that the relationship between man and nature is human attachment and nature.He re-examines the relationship between man and nature and determines the passive position of man in nature.At the same time,he analyzes human nature in a simple way and thinks about the existence value of life ontology.If life loses meaning,death may be meaningful because he maintains the value of individual survival belief.This view of life and death requires individuals to continue to find their own value and significance during the life,to stick to something worth sticking to.At the same time,A Lai is very agree with the curative effect of music and literature on individual psychotherapy.Its curative effect function is very effective and necessary.In literary creation,A Lai also began to act as a literary doctor in an attempt to hurt the body and mind of the victims.