Inheritance And Development Of Quanzhou Breast Beating Dance Culture From The Perspective Of Intangible Cultural Heritage

The working people are the creators and inheritors of culture.In the process of local or national cultural development,folk dance plays an important role in cultural inheritance.Through folk dance,we can understand the current situation of social,economic and cultural development under the historical conditions at that time.Dance reflects the process of social development.At the same time,new components will continue to infiltrate and evolve in this process.In addition,in the development of folk dance,it will also change with the needs of social development or the changes of people’s aesthetics,or it may eventually disappear due to social pressure or prohibition.Therefore,folk dance that can be spread to this day can fully reflect the unique temperament of various regions or ethnic groups in China.It is also the inheritance and development of China’s national spirit,and plays an important role in the world dance library.Chest clapping dance originated in the Song Dynasty and spread in the coastal and surrounding areas of Southern Fujian,especially in Quanzhou.It will exist in large-scale cultural activities run by the government,civil weddings and funerals,temple fairs and other activities.After more than 1000 years of development,this dance form has become one of the most popular and representative local folk dances.As one of the most representative dances in Southern Fujian,chest clapping dance has a bright rhythm,simple and rough dance style,and has a very strong self entertainment.It has become a dance form loved by local people and has been spread to this day.It was included in the first section of China’s intangible cultural heritage list in 2006.In the long-term development,Quanzhou chest beating dance not only fully reflects the unique folk customs of the people in Southern Fujian,but also contains the common memory of the local people,and fully reflects the historical development track of Southern Fujian in China.Chest clapping dance has a long history and culture and is also a valuable intangible cultural heritage in China.It provides important information for understanding local folk customs.In the process of development,it has attracted the attention of a series of dance artists,dance historians and folk custom researchers.They have invested in the research of this traditional dance art.It also provides a basis for people to study ancient Fujian and Vietnam culture,just like the "living fossil" of local culture,It is a very characteristic intangible cultural heritage in Southern Fujian.Based on the perspective of intangible cultural heritage,this paper discusses the inheritance of Quanzhou chest beating dance culture,and explores new strategies for its future development.This study is divided into six chapters:The first chapter is the introduction.Analyze the research background and significance,combined with relevant research literature,understand the current research status of the development of Quanzhou breast dance culture,and determine the research content and methods.The second chapter is the cultural phenomenon of chest beating dance.The understanding of Quanzhou breast beating dance culture is realized from three perspectives: natural phenomena,customs and habits in Southern Fujian and aesthetic art.The third chapter is the analysis of the current situation of chest beating dance.Based on the analysis of the characteristics of breast dance from the perspective of intangible cultural heritage,it can be seen that intangible cultural heritage can provide a new carrier for breast dance,realize two-way interaction with breast dance and lead the development of breast dance.On this basis,we understand the causes of breast dance and the folk attitude towards breast dance,so as to realize the necessity of inheriting breast dance.Understand the artistic characteristics of breast beating dance from jade donkey bumping cloth,frog killing mosquitoes,Toad out of the hole and half moon oblique shadow.Thefourth chapter is the Countermeasures of using intangible cultural heritage to strengthen the inheritance method and development path of chest beating dance culture.In view of the current situation of the development of chest beating dance culture,this paper puts forward the corresponding inheritance culture and development path,which are: actively promote cultural construction and create a cultural self-confidence environment,.In the dissemination process of chest beating dance,we should actively establish spiritual signs,so as to improve people’s cognition of Chinese traditional culture.And pay attention to the integration of chest beating dance and other cultures,and actively promote the digital development of dance,so as to improve the popularization of dance art;Make full use of network resources to establish the advantages of network communication.As an important communication medium,the network can promote the dissemination of dance culture through the establishment and application of network platform;Combining the curriculum,ideological and political green culture into the campus,actively promote the combination of breast dance and educational institutions,optimize dance movements,and strengthen publicity and development,so as to promote the inheritance and development of dance art.Chapter fifth is the conclusion.Summarize the conclusions of this study.