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A Study On The Expression Of Deconstruction Of Traditional Patterns In The Creation Of Lacquer Paintings In Han Dynasty

Posted on:2022-05-30Degree:MasterType:Thesis
Country:ChinaCandidate:X Y HeFull Text:PDF
GTID:2545307049968189Subject:Painting Creation - Lacquer Painting (Professional Degree)
Abstract/Summary:PDF Full Text Request
The first chapter of this paper firstly analyzes and sorts out the current research status of traditional patterns of the Han Dynasty and the application and research of traditional patterns of the Han Dynasty in lacquer paintings,then explains the purpose and significance of this research,and finally clarifies the content and innovation of this research.In the second chapter,the concept and category of the Han Dynasty traditional patterns are firstly analyzed,and the various modeling forms and artistic characteristics of the Han Dynasty traditional patterns are elaborated.Then it traces the origin of the word "deconstruction" in the east and the west,and then analyzes the expression form of the word "deconstruction" in painting in the east and the west.Finally,the author expounds that the current lacquer painting creation is based on this opportunity to determine the direction of the creation theme and how to realize the application and expression of the deconstruction of the traditional patterns of the Han Dynasty in the current lacquer painting theme creation.The third chapter mainly analyzes the inheritance and continuation of the traditional patterns of the Han Dynasty,and how to realize the application and expression of the traditional patterns of the Han Dynasty in the early and present period of the development of lacquer painting.The fourth chapter mainly analyzes the innovative expression of the deconstruction of the traditional patterns of the Han Dynasty in the process of lacquer painting creation,and illustrates the inheritance,innovation and expansion of the deconstruction of the traditional patterns of the Han Dynasty and the deconstruction of western painting in the creation research subject by taking the current lacquer painting works as an example.The fifth chapter is the reflection of the dialectical relationship between the Han Dynasty traditional patterns and western aesthetic culture,the contemporary lacquer painting and painting techniques,and the thinking and prospect of the inheritance of traditional culture.
Keywords/Search Tags:Han Dynasty, Traditional pattern, Deconstruction
PDF Full Text Request
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