Research On Aesthetic Characteristics Of Traditional Handicraft Documentaries

As an important part of traditional Chinese culture,Chinese traditional handicrafts have been continuously accumulated and inherited in the long history.The handicrafts are not only diversified in forms,but also have national styles and cultural characteristics,fully reflecting the unique charm of traditional Chinese culture.each handicraft contains the wisdom of the ancestors,craftsmen painstaking efforts,they have surpassed the concept of "artifacts",become a symbol of life,strength,spiritual essence.However,with the rapid development of society and the continuous improvement of skills,traditional handicrafts are facing the crisis of being replaced by industrial mass production,and more and more traditional handicrafts are facing the situation of being lost.Documentary is known as the "recorder of the times",which is both broad and profound,but also meticulous,recording traditional handicrafts in the form of documentaries,which can not only revitalize and revitalize the declining traditional handicraft culture,but also greatly enrich the theme of documentary creation.Traditional handicraft documentaries connect history with contemporary times,allowing the audience to accept the baptism of traditional Chinese civilization while understanding traditional handicrafts,so that the audience can psychologically get a enjoyment covering history,humanities and artistic beauty,which is the unique charm of traditional handicraft documentaries,which conveys not only a single film and television beauty,but also human self-care,highly cherished humanistic beauty of various spiritual and cultural phenomena left by human beings,and through diversified narrative themes,story-based narrative forms,The beauty of storytelling and documenting history.Taking traditional handicraft documentaries as the research object,taking traditional Chinese Taoist aesthetic thought,Western narrative theory and documentary aesthetics as theoretical support,the author deeply analyzes its aesthetic characteristics from three aspects: the beauty of the documentary’s images,the beauty of narrative and the beauty of humanities,and the article is mainly divided into introduction,four main chapters,summary and appendix:The first chapter mainly defines the concept of traditional handicraft documentary,sorts out its development history,and briefly expounds the aesthetic theories used in this thesis,namely,Taoist aesthetic theory,western narrate theory and documentary aesthetics.The second chapter mainly analyzes the image beauty of traditional handicraft documentaries from the aspects of picture beauty and sound beauty.The author believes that the picture beauty is mainly reflected in three aspects: the craft beauty of utensils displayed in small scenes,the harmonious image beauty manifested by composition and the craftsman’s labor beauty presented by light and shadow.The beauty of sound is mainly embodied in three aspects: the emotional rendering of the artist’s daily life,the real presentation of the sound of the same period to the skill,and the mining and presentation of the cultural connotation of the commentary.From these aspects,the author makes a detailed interpretation of the beauty of the image.In the third chapter,based on the theories of western narratology,the author systematically analyzes the aesthetic features of the traditional handicraft documentaries at the narrative level,including the practical beauty of the craft,the freedom of the craft,the sublime beauty of the craftsman and the continuation of the inheritance in the narrative theme,and then starts from the four aspects of scene reproduction,suspense,contradiction and details.This thesis analyzes the narrative form of traditional handicraft documentaries.In the fourth chapter,the author analyzes the aesthetic features of the humanistic level of the documentary on traditional handicrafts from the perspectives of the combination of nature and man and people-oriented.In the documentary on traditional handicrafts,the combination of nature and man is mainly reflected in the relationship between man and nature,that is,human reverence for nature,use of nature and conform to nature,and people-oriented is mainly reflected in the concern and attention to human.There are three aspects: the pursuit of national memory,the satisfaction of nostalgic emotion,and the return of poetic pastoral.Finally,the author summarizes the article in order to provide suggestions and guidance for the creation and research of traditional handicraft documentaries.With the gradual improvement of the aesthetic level of the public,in order to meet the aesthetic needs of the public and enhance the aesthetic value of documentaries,the author hopes that by discussing and studying the aesthetic characteristics contained in traditional handicraft documentaries,it can provide a new direction for the creation and development of traditional handicraft documentaries.