A Study On The Folk Song Life Of Qin Jiuhong,the King Of Guangxi Folk Song

Guangxi folk song is a folk culture which is full of living atmosphere and poetic characteristics among people in Guangxi,and is passed down from generation to generation by many folk singers.Some excellent singers have been awarded the title of "the king of Guangxi folk song" and have played an important role in the development and inheritance of folk song.Qin Jiuhong is a typical representative.This article focuses on the folk subject,taking Qin Jiuhong,the king of Guangxi folk song,as the research object,and taking folk life as a theoretical perspective.It explores the folk song life of Qin Jiuhong,the king of Guangxi folk song,from four aspects: the experience,types,activities,and the social imprint of folk song practice,and conducts a comprehensive study of Guangxi folk song.The experiences of Qin Jiuhong,the king of Guangxi folk song,at all stages are closely related to folk song.Influenced by the environment,he actively learned songs.After working,he used folk songs as a means of communication with the masses,collected,organized,and compiled a large number of folk songs,consciously passed on and disseminated them,making outstanding contributions to the development of folk songs.The folk songs he collected and collated reflect the main types of Guangxi folk songs,including love songs that convey emotions and convey ideas,etiquette songs that combine with festival customs,current political songs that focus on popular propaganda,and riddle nursery rhymes that target children.Participating in diversified folk song activities is an important part of the life of Qin Jiuhong,the king of Guangxi folk song.His folk song activities can be divided into online and offline forms: organizing online folk song fair to carry out folk song teaching and creating a new platform for inheriting folk songs;Offline participation in song festivals,publication of a series of books of the king of Guangxi folk song,joining folk associations to gather multiple forces,and organizing folk song activities specifically for young people to cultivate new forces for the inheritance of folk songs.Diversified folk song activities have also linked Qin Jiuhong with more folk song singers,making folk song life more extensive and displaying group life.Focusing on the life of Qin Jiuhong,the king of Guangxi folk song,can also examine the overall development of Guangxi folk songs at this stage,and explore new changes in the content,form,and inheritance methods of folk songs.This article analyzes the folk song life of Qin Jiuhong,the king of Guangxi folk song,from the perspective of folk life,perceives the main force of people in folklore,examines the current development of Guangxi folk songs,and provides new ideas and research references for the study of folk songs.This article consists of three parts: introduction,text,and conclusion.The introduction mainly introduces the source of the topic,the purpose and significance of the research,the current research situation at domestic and abroad,and the research content and methods.It focuses on the representative achievements of folk life research,folk singer research,and the king of Guangxi folk song research,and defines the main concepts involved in the article.The text is divided into four chapters for discussion: The first chapter introduces the folk song experience of Qin Jiuhong,the king of Guangxi folk song,and is divided into four stages: learning songs,singing,collecting songs,and passing on songs.From going to the folk song fair when he was young to listening to songs on his mother’s back,to conducting online teaching,collecting and publishing song books after retirement,it outlines the folk song life of Qin Jiuhong,the king of Guangxi folk song.The second chapter introduces the main types of folk songs compiled by Qin Jiuhong,including love songs that convey emotions and convey ideas,etiquette songs that combine with festival customs,current political songs that focus on popularization and propaganda,and riddle nursery rhymes that target children.Different types of folk songs are also portraits of his different aspects of folk song life.The third chapter introduces the folk song activities that Qin Jiuhong,the king of Guangxi folk song,participated in,which are divided into online and offline parts.Online mainly uses online folk song fair to conduct folk song teaching,and the life of folk song has also expanded from real life to cyberspace.Offline,he participates in song festivals and gatherings with his friends,publishes a series of books,exerts the cohesive power of nongovernmental organizations,and cultivates new forces through the introduction of folk song culture into campus.Various folk song activities are an important part of the folk song life of Qin Jiuhong,the king of Guangxi folk song.The fourth chapter discusses the social imprint of the practice of Qin Jiuhong,the king of Guangxi folk song,showing the status of the main body,expression,social function and transmission mode of the folk song inheritance by individuals and society,taking a glimpse of the inheritance and development status of Guangxi the folk song,exploring the social imprint of individual practice activities,and presenting the important role of folk subjects in the development of folk culture.The conclusion part summarizes and prospects the article.The folk activities of Qin Jiuhong,the main body of folk customs in Guangxi,demonstrate the folk song life of Qin Jiuhong,the king of folk song in Guangxi,and the ongoing development process of Guangxi folk songs.The analysis conducted on this basis not only provides a new perspective for the study of folk songs,but also expands the theoretical connotation of folk life in order to attract attention in a broader range.