Research On The Acceptance Of Constructivism In The History Of Modern Chinese Graphic Design

This study takes the overall acceptance of constructivism in the field of Chinese graphic design as the research object,combines theoretical resources and methods such as art history,design history and cultural research,and focuses on discussing the new form and appearance of constructivism after entering China on the basis of combing the original meaning and connotation of constructivism.Furthermore,it makes an overall grasp and evaluation of the development of constructivism in China and the trends and changes of design ideas,design concepts,artistic styles and design performance methods formed on this basis,and makes historical positioning and reflection from the perspective of civilization accumulation and the evolution of Chinese graphic design.This article consists of six chapters.The first chapter is the introduction.This paper mainly describes the Reason for selecting the topic,research background,research status,research methods,research content,significance and application value.Have a basic understanding of the development,research,theoretical understanding and data collection of constructivism in the history of modern graphic design.At the same time,it elaborates on the theory of reception aesthetics and related concepts,and discusses the feasibility and necessity of using reception aesthetics theory to analyze,explain,and study the acceptance of constructivism in the history of modern Chinese graphic design.The second chapter mainly discusses the origin of the artistic style of constructivism,its background,development process,design ideas,artistic style characteristics and the influence of constructivism on modern graphic design in the world.The third chapter mainly discusses the impact of constructivism on the field of graphic design during the Republic of China period from its inception to the end of 1949,as well as its main attitude towards constructivism.At the same time,it elaborates on the reasons for the development of constructivism during the Republic of China period,as well as the contributions of Lu Xun,Qian Juntao,Tao Yuanqing,Feng Zikai,and other introducers of constructivism to the dissemination of constructivism.The fourth chapter mainly discusses the impact of constructivism and the three major components on the field of graphic design since the establishment of New China,as well as the main attitudes towards constructivism and the three major components.The fifth chapter is mainly provides a comprehensive grasp and evaluation of constructivism in the field of Chinese graphic design,as well as a comprehensive understanding and understanding of constructivism in the entire acceptance history of China.Mainly discusses why constructivism is accepted,the process of acceptance,and how to accept it.Through the case analysis of the previous works and the development process of constructivism in China,this article summarizes the form of constructivism in China,that is,what kind of constructivism with Chinese characteristics is,and summarizes the value and significance of accepting constructivism,as well as the impact of constructivism on promoting Chinese flat design.The conclusion of Chapter 6 is a reflection on the development process of constructivism in China.Constitutionalism,from introduction to acceptance and then to the formation of Chinese style constructivism,not only promotes our understanding of this art and culture,but also enriches the visual forms and design expression methods of Chinese graphic design.