The Practice And Research Of Mezzo-soprano Singing Chinese Art Songs

Chinese art songs have gone through a hundred years of history.At the beginning of the 20 th century,excellent composers such as Zhao Yuanren,Huang Zi and Li Shutong integrated western art song composition techniques with Chinese classical poetry,national mode and language characteristics,and created an art form that conforms to national characteristics.This article takes the practice and research of mezzo-soprano singing Chinese art songs as the starting point,and carefully selects two works I sang in the master ’s graduation concert ’ Chiziqing " Qiufengci " to analyze.The full text uses the methods of literature analysis,audio and video data analysis,and combines the professional guidance of the tutor and my years of experience and thinking in learning vocal music.This paper is divided into introduction and text.The text has three chapters.The introduction expounds the basis of topic selection,research status and research methods.The text is divided into three parts : First of all,through access to information,online interviews on the Chinese art song " Chiziqing " autumn wind words ’ creative background to make an overview.Secondly,starting from the musical structure and melody accompaniment characteristics of ’ Chiziqing ’ and ’Qiufengci ’,the style and writing characteristics of these two art songs are analyzed and studied.Finally,with the support of the previous theory,combined with my performance and practical experience,starting from the singing skills and emotional expression of ’ Chiziqing ’ and ’ Qiufengci ’,this paper analyzes the works.So as to more intuitively grasp the characteristics and emotions of mezzo-soprano singing Chinese art songs.At present,the research results of these two works are relatively lacking,hoping to provide some theoretical and practical reference for mezzo-soprano to learn these two art songs.