Analysis Of The Countess’s Image And Singing In Mozart’s Opera "The Marriage Of Figaro"

In the long history of the development of Western music,the creation of classical music is unique.Because in the society at that time,a climax of ideological revolution was being set off,many thinkers,writers and musicians stood in their respective fields to propagate and advocate progressive ideas.Mozart is no exception and has always used his music to purify people’s hearts.As the founder of German and Austrian opera and the leader of Viennese classical music school,Mozart’s music works represent his personal style,have the significance of the times,and enrich people’s spiritual connotation.Especially in the field of opera,he injected fresh blood into the creation of comic opera,his works closely followed the trend of the times,and embodied his yearning for harmony and beauty,broke the feudal tradition of music "only for church enjoyment" in that period,and began to go to the court nobles and common people,thus forming a unique style of music creation.It is incomparable to other composers.The realistic value of the opera The Marriage of Figaro fully embodies Mozart’s ideological spirit and creative thinking.He is good at using the soprano’s various timbres to create a vivid character image.This thesis takes the Countess’ s two arias "Courtship God Comforts Me" and "Where to Go,Good Time" as examples to deeply analyze the Countess’ s character image and singing interpretation.Firstly,based on the music script,the role of the Countess in the work is deeply excavated,and the significance and value of the role of the Countess are discussed.Secondly,the lyrics and music structure in the music noumenon are analyzed,from which the emotional expression of the role in the play is discussed;Finally,watching and learning the model singing of opera performers,while mastering their singing style,can more intuitively feel the aesthetic value contained in the opera,so that singers can better learn from the interpretation of singing skills,and re-create the works in stage practice.More importantly,through the combination of literature and music,it can more fully reflect Mozart’s humanistic feelings of gender equality and equality advocated in the creation of female roles in opera.