Image Shaping And Singing Analysis Of Wan Xia In The Opera "Long March"

The development of Chinese musicals has been more than half a century.Unlike most people who generally believe that musicals come from the West,the author believes that its development mainly comes from Chinese traditional folk song and dance opera,as well as local operas in various regions of China,and also absorbs some influence of western musicals.This is a musical with Chinese characteristics belonging to China.Musical is just a genre,we Chinese musical has its own development direction.Influenced by the concept of traditional vocal music performance,original musical performances in Chinese colleges and universities focus on singing and do not have high requirements on the body,leading to the phenomenon that song dancing and singing become the background music of dance in musical performances.Therefore,through literature review and stage rehearsal research,the author takes the original musical "The Last Crested Ape" of Hainan University as an example,and from the perspective of the actors’ own feelings,summarizes the following problems: first,separation of "singing training" and "sports training";Two,fast movement and large movements affect the breath;3.The direction of sound and movement is inconsistent;4.Large neck movements compress the vocal channel.At the same time,according to their own performance experience,explore some solutions: first,adhere to the combination of singing training and dance training;2.Stability training for breath control in fast movement or large movement;3.Strengthen the coordination between the strength of voice and the strength of body;Four,musical rehearsal professional teachers should cooperate with each other;Five,the use of human three-dimensional motion recognition dynamic analysis auxiliary training.Through the author’s thinking and practice of these problems,the problems in the process of rehearsal and performance have been improved to a certain extent.In the end,this study combs the experience of original musical performance in Chinese colleges and universities and some thoughts on the future development of original musical in Chinese colleges and universities in the way of combining practice and theory.