| Qinling Zhongnan Mountain,as the source of the creation and transformation of Chinese landscape painting,has always had the significance of model formation in the expression of "photo" landscape.The formation of Fan Kuan landscape painting style by "landscaping" and "intention" of Zhongnan Mountain and Water must be the result of the summary of landscape experience of the previous generation and the promotion of social and cultural fashion at that time,especially in the regional original environment of Fan Kuan landscape painting creation,Qinling Zhongnan Mountain landscape humanities can be regarded as the background to understand the formation of Fan Kuan landscape art style.This paper takes this as the starting point of the study,and combined with the social ideological and cultural fashion in the early Song Dynasty to construct a comprehensive context to be discussed,so as to provide a new understanding angle for exploring the motivation of Fan Kuan landscape painting.In order to construct the creative situation,through combing and constructing the "landscape image drawing" composed of the landscape culture in Zhongnan Mountain of Qinling Mountains,this paper explores and finds that the form of Fan Kuan landscape painting constitutes the aesthetic acceptance and style change of his predecessor,and probes into the formation of the artistic style of Fan Kuan landscape painting creation.It is integrated into the political society and the mainstream ideological and cultural historical facts in the early Song Dynasty to explore the deeper creative motivation of artistic style creation.Under the leadership of Neo-Confucianism,the mainstream fashion of society has become the ideological motivation of Fan Kuan’s landscape painting creation.Fan Kuan’s landscape painting changes from the natural landscape to the humanistic landscape,which breaks the unique visual aesthetic touch expressed by the geo-spatial process and environmental cognition,and gradually changes the aesthetic meaning of his painting from "picture truth" to "Ming Tao".Under the influence of landscape culture in Zhongnan Mountain of Qinling Mountains,the change of value orientation of Fan Kuan landscape painting creation and the evolution of aesthetic taste and the influence of the mainstream fashion of the times are the basis of Fan Kuan landscape painting "intention" and "Ming Tao" gradually moving from "adult education" to "Wen pole".And for the subsequent landscape painting creation to provide a reference blueprint,especially on the modern thematic landscape painting creation has a profound impact.The research of this paper tries to enrich and supplement the exploration and research of Fan Kuan landscape painting creation motivation,in order to reveal the internal relationship between the landscape culture and the times fashion of Fan Kuan landscape painting creation in the social context and cultural context,in order to add a new understanding dimension for the in-depth study of Fan Kuan landscape painting aesthetic meaning and creative motivation. |
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