An Analysis On The Creation Style And Playing Techniques Of Zhu Jianer’s Overture No.2 "Flowing Water"

Mr.Zhu Jianer is a famous composer in China.Adhering to the creation principle of "unity method" and the creation concept of "eclectic,based on transcendence",he has created a large number of popular revolutionary songs,instrumental music,symphonies and 8 extremely Chinese national style piano music,Overture No.2 "Flowing Water" is one of the piano music.This song is adapted from the Yunnan folk song "Flowing River",and draws the creation elements of the Guqin song "Flowing Water",integrates the Chinese folk music culture and the western traditional music creation techniques,conveys the charm of Yunnan folk song and Guqin music,fully embodies the music creation concept and principle of Mr.Zhu Jianer.The performer needs to have a more in-depth study of the creation background and characteristics of the music,so as to have a basis for the second creation of the music,so as to get closer to the ideological connotation conveyed by the composer.Starting from Zhu Jianer’s life and the creation characteristics of piano music,this paper analyzes the nationalized structure and harmony adopted by piano music "Flowing Water",systematically expounds the national style of Yunnan folk song "Flowing Water" and the aesthetic orientation of water image in ancient qin song "Flowing Water",providing a theoretical basis for understanding the musicality and playing techniques of piano music "Flowing Water".In terms of playing techniques,on the basis of the above theories,this paper analyzes how to imitate "guqin timbre" and "image of water" on the piano in detail,and makes a supplement in terms of strength and pedals.Finally,it elaborates how to enhance the coherence and integrity of the whole piece through the use of breath,so that players can overcome the difficulties in playing at the same time.Can fully show the music connotation of this song.