Analysis Of The Portrayal And Singing Of Baritone Roles In Donizetti’s Operas

Domenico Gaetano Maria Donizetti,a famous Italian opera composer,is a representative figure of the Italian Romantic Opera School.He is famous for his fast and large number of works.Donizetti’s opera works have a variety of genres,and most of the Comic opera works he wrote at the beginning of his earlier period were influenced by Rossini,and the style is changeable.Donizetti’s Comic opera "The Glycol of Love" has the traditional style of Italian Comic opera.It takes love as the theme,and the most famous one in the opera is the Tenor aria,but the Baritone part also has distinctive characteristics.Donizetti’s last Comic opera,Don Pasquale,is more like a farce of love than his previous tragic works with the theme of love,and the classic Baritone aria inside is also sung repeatedly by later generations;Donizetti’s Opera seria Rukia of Latin America Moore is his most famous masterpiece,which is also his famous work.This work greatly reflects his unique style.In these three works,Tenor and Soprano are often explored by later generations in terms of role shaping and singing characteristics,but to a great extent,Baritone plays a very important role in Donizetti’s opera works.As for Baritone,different from other composers,Donizetti’s style is romantic,and most of the Baritone in his works are lyrical Baritone,confident and resourceful.Therefore,as a bel canto Baritone,the study of Baritone in Donizetti’s opera has practical significance both in understanding opera roles and singing skills.This article mainly takes the three baritone arias in Donizetti’s three operas "The Glycol of Love","Don Pasquale" and "Lucia of Latin America Mor" as examples,and combines the author’s personal concert practice to analyze their roles and singing.The first part of this paper is a brief summary of Donizetti and the three operas,including Donizetti’s life and music creation characteristics,and the creation background of the operas "The Glycol of Love","Don Pasquale",and "Lucia of Latin America Moore";The second part is to analyze the role of baritone in the three operas by collecting information and watching operas;The third part is the analysis of the works of the three arias performed by the author in the degree concert,including musical form analysis and specific analysis of the singing style,language,emotion,etc;The last part is to re study this topic through personal singing perception,and improve their singing skills and artistic accomplishment through practice.