Wandering Singularity

Xiao Hong spent the rest of her life drifting,never belonging.During her long migration experience,Xiao Hong crossed half of China,and her life and creative mentality changed with it,making it impossible to simply identify Xiao Hong’s identity and thought.On the one hand,the subject moves across the spatial structure constructed by geography and culture,and this state of wandering exposes Xiao Hong to a variety of influences;on the other hand,Xiao Hong’s different subjective postures and internal dilemmas are manifested in the unstable temporal and spatial contexts,namely,the vertical temporal development in which she dwells on the emotion of failing to be’Nora’,and the horizontal The entanglement of these internal and external parts constitutes the inevitability of her ’solipsistic’ form being revealed.According to the definition of the monad,the subject is shaped by the interaction of external social and internal spiritual influences,so it is necessary to focus on the geographical transformation as a direction of vision to discover the factors of monad formation,to find the significance of the spatial community and regional culture on the changes in Xiao Hong’s creation and life choices,and to analyze her mental contradictions and fragmentation from a triple psychological perspective,which is summarized in three psychological diagrams: the fantasist,the loser and the dedicated worker.With this as a background,one can explore the important manifestations of Xiao Hong as a monolith: ideologically,Xiao Hong developed a Buddhist-like outlook in the context of history and regional culture as well as her own multiple failures,observing the social life of "impermanence of all actions" through her own experience with a vision of suffering,and conveying to the reader a pessimistic mood of uncertainty and uncertainty of hope.In her writing,Xiao Hong,because of her Buddhist-like view of social reality,dwells on her multiple experiences of failure,so she reflects on the illusory nature of the May Fourth Enlightenment texts through textual rewriting,making corrections in her own rewriting of the extended differences,adding her own more delicate and sensitive cognitive feelings when repeating the words of others,and realizing the extended differences of the other.Xiao Hong’s behavior,while pursuing difference and specificity as a writer,also strives to remain the same as the public,participating in the construction of the anti-war discourse in her own way.In this way,the significance of Xiao Hong’s value as a monolith can be analyzed.In terms of gender,Xiao Hong struggled to find a way out of the enlightenment dilemma and was caught in a situation of ’wandering without a place’,revealing the physical and spiritual predicament suffered by modern women.From a philosophical point of view,Xiao Hong’s image of a generation of female intellectuals struggling with their inner dilemmas after inheriting the spirit of the May Fourth Movement and being lost in confusion;from a philosophical point of view,Xiao Hong’s image of a thinker and a producer with a creative spirit,who is firm in her own self,but who accepts the intrusion of different ideas and is free to carry out literary and artistic production activities after "washing" and merging.