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Research On The Transformation Of Shandong New Year Paintings In The 20th Century

Posted on:2024-04-24Degree:MasterType:Thesis
Country:ChinaCandidate:Z H ZhangFull Text:PDF
GTID:2545307154484534Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Since the beginning of the traditional society,Shandong New Year pictures began to undergo constant baptism and precipitation,and gradually became a traditional Folk art expression form with unique aesthetic connotation in the long historical development process.As a traditional Folk art produced by festival customs,Shandong traditional New Year pictures are also a product of mass culture spontaneously created by the people.Since their appearance,they have been mainly influenced by social and political ideology The influence of the masses’ aesthetic taste and other factors has become an independent discipline in the development of the history of Chinese Folk art.After the establishment of the People’s Republic of China,influenced by the new national ideology,the living conditions of the masses changed,and aesthetic concepts also changed accordingly.During this period,New Year painters collaborated with folk artists to delve into the lives of the masses and gain creative ideas and life experience.The creation of New Year paintings in the New China era,especially after the reform and opening up,boldly innovates traditional art to conform to the trend of the times,and continuously explores the correct development path.Through practical exploration,we move forward and create "New Year paintings of the era" that express the new era and have new ideas.This article aims to study the process of the transformation of Shandong New Year paintings in the 20 th century,analyze the factors that affect the transformation and creation of Shandong New Year paintings,and analyze the characteristics of different eras of Shandong New Year paintings.The first chapter reviews the historical development of Shandong New Year paintings before the establishment of New China in 1949 and the impact of the Yan’an New Year painting renovation movement on Shandong New Year paintings.It analyzes the development and aesthetic characteristics of Shandong New Year paintings from a historical perspective;Chapter 2 studies the creative activities of Shandong New Year paintings under the influence of the New Year painting movement and national literary and artistic policies within the thirty years after the establishment of New China,and explores the characteristics of innovation and reform in Shandong New Year paintings;The third chapter focuses on analyzing the transformation of Shandong New Year paintings after the reform and opening up,and studying the characteristics of the era of Shandong New Year paintings;The fourth chapter summarizes and considers the research on the transformation of Shandong New Year pictures in the 20 th century based on the previous systematic review,and analyzes the contemporary significance of the development of Shandong New Year pictures from the perspective of protecting Intangible cultural heritage.Conclusion summary: Through a deep interpretation of the transformation of Shandong New Year paintings in the 20 th century,it can be found that Shandong New Year paintings carry the narrative function of social life images in the long-term historical process.Studying the transformation context of Shandong New Year paintings has important artistic value for the local culture of Shandong.
Keywords/Search Tags:Shandong New Year paintings, Transformation, The characteristics of the times, New Zeitgeist
PDF Full Text Request
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