On The Decorative Nature Of Fine Brushwork Figure Heavy Color Painting

Gong bi character heavy color painting is a traditional painting with a long history of development and deep influence in China,which is deeply loved by creators and art lovers.One of the most striking features of Gong bi character recolor painting is its decorative language.With the development of social economy,cultural diversity and collision,people’s aesthetic needs are constantly developing and changing.With the introduction of foreign culture,especially influenced by Japanese techniques and Western painting,contemporary Gong bi painters borrow and integrate foreign painting techniques on the basis of traditional Chinese painting,and enrich the expressiveness of contemporary Gong bi heavy color figure painting through different forms of expression of various materials,shapes,compositions,colors and textures,forming their own unique style,enriching Gong bi character heavy color painting,and proposing the development of Chinese Gong bi character heavy color painting.This paper first starts from the development process of the ornamentation of Gong bi figure heavy color painting in traditional painting,and understands the development and change of ornamentation in traditional painting,and what kind of state it presents in traditional painting.Then,through a brief description of Mr.He Jiaying’s "Autumn Underworld",he briefly analyzes the aesthetic interest of Gong bi character recolor painting in contemporary times.Then,from the five aspects of composition,shape,line,color,technique and material,the works are analyzed through examples,and the decorative nature of the heavy color painting of Gongbi characters is discussed.Finally,through the examples of his own works,he analyzes the application of ornamentation in his own creation,puts the theoretical knowledge he has mastered into practice,integrates it,and carries out innovation and exploration with his own characteristics on the recolor painting of Gong bi figures.