Deer In Chinese Landscape Painting

Animals are moving,so before a work is completed,most people like to add a carrier with a sense of movement in the picture.This is to strengthen the vividness and liveliness of the picture,and to strengthen the contrast between big and small pictures.Therefore,animals often appear in landscape paintings.The history of literary records and painting descriptions of Chinese animal subjects is very long.There are many literature and painting works related to deer in the past dynasties,and they are endowed with rich cultural symbolic connotation.There are rich painting documents and painting atlases related to deer,and classic related works have been preserved in various periods.However,when studying the history of Chinese painting about deer,we often appreciate it from the perspective of flower and bird painting,but rarely explore the deer element from the perspective of landscape painting.This article will use poetry and the cultural symbol of deer as a guide,use case analysis,comparative analysis and document analysis to take the Painting of Crying Deer amid Maples and the Painting of Deer in Autumn Forest as examples,and combine the author and the background of the times to appreciate and compare other landscape paintings with deer elements(Nine Coloured Deer,The Painting of Watching Deer in Pine Shade,The Painting of Deer under Pine,etc.),and analyze the painting techniques The structure of brush and ink and the expression of artistic conception and interest,as well as the morphological changes and characteristics of the times of deer in several landscape paintings in the past dynasties,analyze the personal interest aesthetics and complex of these landscape painters,and explore the relationship between Chinese traditional culture and painting,so as to provide some inspiration and method enlightenment for the existing creation.