The Spatial Position And Visual Imagination Of Porcelain

Under the background of global integration,the complex history of the development of western painting has influenced the world painting,while Chinese elements are involved in western painting.Since the opening of the new route,Chinese porcelain has appeared in the vision of Westerners for the first time.With the interaction and social development between China and the West,the Chinese elements in Western paintings have begun to change.However,no matter what angle and way Chinese elements appear in western paintings,porcelain,as one of the cultural symbols of China,has always been everywhere,and has become an oriental element that European painting sponsors and painters have been willing to draw from since the 17 th century.The acceptance of Chinese elements in European society has gone through several stages.The enchantment,disenchantment and rational cognition proposed by Max Weber(1864-1920),a German sociologist,can be used to summarize these stages.Chinese elements often appear in European paintings in different images and spatial positions.Chinese porcelain has flourished in Europe with its exquisite shape and huge sales volume.Similarly,their status in European painting works is also changing with the aesthetic transformation of European painting art.The root causes of these changes are analyzed,and the Chinese artifacts in the western perspective are analyzed,That is,combing the changes and development of Chinese porcelain can make us more clearly understand how the Chinese elements in painting witness the aesthetic evolution of western painting art.