The Image Expression Of Red Theme Documentaries From The Perspective Of Cultural Memory Theory

As an important component of excellent Chinese culture,red culture contains rich revolutionary spirit and traditional cultural connotations.It is not only the spiritual driving force that leads the way,but also an unshakable cultural foundation,playing a key role in cohesion in the new era.As an important media carrier for writing and spreading the memory of red culture,red theme documentaries not only carry the basic function of presenting historical truth,but also undertake the important mission of constructing cultural identity,promoting the formation of self-regulation,and achieving the diachronic continuation of memory.The paper mainly explores the visual expression of cultural memory in red themed documentaries from the theoretical perspective of cultural memory.Specifically,the paper first outlines the concept definition,current development status,genre characteristics,and internal relationship with cultural memory of red themed documentaries;Furthermore,the logical thinking and specific strategies for constructing cultural memory in red themed documentaries were explored from the three dimensions of Assmann’s cultural memory: "neural,social,and cultural";Finally,the multiple values of cultural,economic,and historical materials in the construction of cultural memory in red themed documentaries were analyzed,and the prospects for the construction of cultural memory in red themed documentaries under the background of new media technology were presented.