Research On The Narrative Expression Of Experimental Animation Camera Language Under Deconstructionism

The main content of this article is grounded in deconstructionist theory.Analyzing the different expressions forms and deconstruction laws of deconstruction to lens language in experimental animation,and interpreting relevant animation cases through a deconstructionist perspective.Exploring the systematic deconstruction strategies and methods that deconstructionist theory can offer to the language of experimental animation shots.Providing rich ideas for experimental animation creation and enhancing aesthetic value for experimental animation.In the introductory section,the background of the selected topic,purpose and significance of the research,the basic content of the paper and the research summary at home and abroad are basically introduced.And having a preliminary analysis of the current use of deconstructionism in animation camera language and future trends,then pointing out that in the field of experimental animation where deconstructionism can provide theoretical support for the development of narrative expression in the language of the camera to emphasize the necessity of research.The first chapter mainly focuses on the concepts related to deconstructionism and experimental animation camera language,clarifying the development course of deconstruction and experimental animation.And in the expression of camera language,the similarity and correlation between them are explained;The second chapter simply refines that philosophy conception of deconstruction based on the three main concepts of non-centeredness,divergence and pluralism and takes experimental animation as the goal to explore the initial expression characteristics of deconstruction in the narrative of camera language.The third chapter takes a deconstructionist perspective,analyzing animation cases influenced by deconstruction trend of thought.To study and analyze the creative concept,expression method and emotional expression in the narrative aspect of camera language and to provide practical reference for the subsequent study of deconstruction strategies.The fourth chapter proposes that under the field of experimental animation,deconstructionist strategies for deconstructing the narrative nature of camera language can be divided into three aspects:picture composition,camera movement,and emotional narrative.Then through a series of discussions and analytical arguments can be obtained with these three aspects.The fifth chapter presents an outlook on the future of deconstructionism,dealing with the development and implications of the narrative expression of experimental animation camera language.Chapter six combines individual graduation creations,substituting deconstruction ideas into animation creation.The deconstruction strategy is argued through practice,that is,the linguistic narrativism of experimental animation shots under deconstructionism proposed by this paper.Finally,the conclusion part puts forward that deconstruction theory provides a new creative method and viewing mode for narrative expression of experimental animation camera language.At the same time,the shortcomings in the research are reflected and the research ideas worth exploring are given in this part.