Research On Ou Yang Shan’s Guang Dong Creation From The Perspective Of Lingan Local Culture

As an important representative of Lingnan literature,Ou Yangshan’s revolutionary practice and literary creation runs through various stages of China’s development from the May Fourth Period,and he writes his personal life experience and Guangdong’s revolutionary history with a strong national consciousness and local awareness.In the evaluation of Ou Yangshan’s literary history,revolutionary discourse occupies a dominant position,but the influence of Lingnan culture on his writing content,aesthetic choices,creative ideas,and revolutionary imagination has not received sufficient attention and systematic research.This article attempts to interpret and analyze Ou Yangshan’s Guangdong writing from the perspective of Lingnan culture,and excavate the interaction and development logic between the author’s literary behavior and the space he is in.The main body of the paper is divided into three parts:Chapter One focuses on the turning point and formation process of Ou Yangshan’s language form.The formation of Ou Yangshan’s language style experienced a complex and tortuous process,and the generalization of "Europeanization" or "common language" obscures the complex and multidimensional details within it.Nourished by the natural language sense of Guangdong and the inclusive cultural character of Lingnan,Ou Yangshan completed the transition from the mixed-language of Cantonese,written Chinese,and English when he first entered the literary circle,to the tortuous experiment of pure Cantonese novels in the 1930 s,the successful attempt of Shaanxi dialect in "Gao Ganda," and finally the transformation into a balanced and mature language style with a blend of Eastern,Western,Southern,and Northern elements.At the same time,the evolution from Cantonese to a common national language is also embedded with Ou Yangshan’s perspective shift from local to national,from the periphery to the center.Chapter Two focuses on the subject matter selection and writing of "Guangdong people," "Guangdong affairs," and "Guangdong history" by Ou Yangshan.From the perspective of "social analysis",we found that on the one hand,Ou Yangshan uses Marxist ideology to focus on reflecting reality,and shapes typical characters in typical environments with the unity of human nature and class,depicting the social history of Guangdong’s revolutionary movement and ethnic war,reflecting a clear materialistic and historical perspective;on the other hand,in the complexity and contradiction,Ou Yangshan focuses on portraying the characters with unique Lingnan regional characteristics and emotional values,enriching the face of revolutionary literature.Chapter Three focuses on the "alternative" form presented in Ou Yangshan’s revolutionary literature.Ou Yangshan draws literary imagination resources from Lingnan’s secular daily life,clan families,and religious discourse,presenting a unique narrative aesthetic of the "South" and constructing another possibility for revolutionary narration.Under the combination of Lingnan’s revolutionary resources and regional resources,Ou Yangshan started his revolutionary imagination and writing about Guangdong and Lingnan.