Research On The Inheritance Of Ziwei Cheongsong In Dingzhou,Hebei

Chugging is one of the famous music genres in my country.It is a form of instrumental music that combines playing and blowing.It is widely popular in central,southern and eastern Hebei Province.Ziwei Chuige was born in Ziwei Town,Dingzhou City,Hebei Province.It belongs to the category of Chuige in Jizhong.It is a leader in the art of blowing and has been enduring for hundreds of years.In major folk festivals or folk ceremonies,singing artists always get together to play together,which has become an indispensable folk activity in people’s lives.Its performance style is unique and rich in content,which is unique in folk art,so it has a pivotal position in Hebei folk music culture.At the same time,Ziwei Chuige was listed in the second batch of national intangible cultural heritage list in 2008,which is a high affirmation of the artistic value of Ziwei Chuige.However,in recent years,due to the combined effects of internal and external factors such as the impact of modern pop music,its own defects,and the changes in people’s inner aesthetics,the group of folk music subs who enjoy singing has been reduced,the inheritors are aging seriously,and the inheritance is in crisis.Development is restricted and other difficulties.This dissertation takes Dingzhou Ziwei Chuige as the research object,adopts the research method and academic perspective of ethnomusicology,and conducts a field investigation on the status quo of the inheritance of Ziwei Chuige,and strives to present the true face of its inheritance.Sort out the musical scores,performance forms,inheritors,inheritance pedigrees,inheritance methods and inheritance in folk customs of Ziwei Chuongge,grasp the inheritance context and characteristics of Hebei Chuongge,and analyze the problems encountered in the inheritance process.Finally,the corresponding protection strategy is proposed.This thesis is mainly divided into six parts: The first part: the introduction part,expounds the research background,research purpose and research significance,research status,research method,field point introduction and main innovation of this paper.The second part: An overview of Dingzhou Ziwei’s singing.On the one hand,it discusses the living background of Dingzhou Ziweichuige from three aspects: natural environment,historical humanities and folk culture environment;.The third part: Mainly study the sub-bit blowing music form.By combing and analyzing the musical instruments,scores,representative repertoires,performance forms and performance skills in Ziwei Bingge,the basic musical style and characteristics of Ziwei Bingge are clearly depicted.The fourth part: Inspect the current status of the inheritance of Ziweichugge,through detailed interviews with the representative inheritors of Ziweichuige,visit Dingzhou Cultural Center,Ziweichuige performance site,Dingzhou Experimental Primary School,Ziweichuige Weisancun Primary School and Dingcun Middle School,etc.,have an in-depth understanding of the composition of members,inheritance methods,and inheritance status in local folk customs.the fifth part: Based on the above survey results,discuss and analyze the problems faced by Ziweichuige in the inheritance from the aspects of inheritance content,inheritors and inheritance methods,such as the lack of help and guidance from superiors,The inheritors of Ziweiqiong have problems such as aging and serious faults,the way of inheritance is not centralized,and the propaganda efforts are small.From the protection and inheritance level of my country’s intangible cultural heritage,corresponding protection strategies are put forward for Ziweichuige.the sixth part: Conclusion part.