Xin Dongwang’s National Oil Painting Language And Its Influence On My Creation

In the process of collision between Chinese and Western art,oil painting as a communication medium also gradually presents a trend of diversified development.In China,realist oil painting is dominant,on this basis,the creation language of oil painting is also undergoing changes,its creation style has been influenced by the culture of The Times,so it not only contains the traditional national culture but also shows the national spirit.At present,there is still a lack of research on the nationalized aesthetic expression of Chinese oil painting language,which is in urgent need of further exploration.This paper mainly takes Xin Dongwang,the representative painter of contemporary new realism,as the research object,and takes his performance of nationalized language in oil paintings as the starting point,and explores xin Dongwang’s performance in artistic techniques in combination with his style changes and formation in the development of new realism oil paintings.Xin Dongwang blends in the Chinese painting techniques such as line modeling,exaggerated deformation and flatness,and uses the traditional Chinese folk art forms in her works.She innovates the new realism oil painting in terms of the nationalized language characteristics and painting expressive force,so that her works are full of profound national culture.This paper first summarizes Xin Dongwang’s exploration of nationalized oil painting language into three periods for an overview and analysis,then discusses the embodiment of nationalized language in his oil painting works,and finally summarizes the influence of his artistic techniques on my specific creation process.