Li Boan's "Out Of Bayan Har" Painting Language Research And Creative Inspiratio

Mr.Li Boan had been in hardship all his life,but he had never stopped painting,and his art is extraordinary.The long scroll out of Bayan Kara,which shows the ink figures of the Tibetan people,is as magnificent as the running of the Yellow River and shows the high and enterprising ethnic spirit.He devoted his life to opening up a new artistic path,forming a highly personalized painting language and creatively opening up a new pattern of Chinese ink figure painting.He is a historical figure who stirred the Chinese painting world at the end of the 20 th century.He stood in the perspective of ethnic art and made the expression of artistic emotions more sublime and vital.This thesis is divided into four parts.The first part discusses the formation of the painting language of Out of Bayankara,which is divided into its inheritance of traditional painting,learning and reference from other art categories,and the influence of realistic art on it.The second part analyzes the painting language characteristics of his creation Out of Bayan Kara,mainly in the aspects of expression tension,modeling language,form composition,ink interest,texture language characteristics and so on.The third part from own point of view,combined with Li Boan’s artistic achievements,recognizes the importance of his painting language and spiritual connotation to self creation,and obtains practical creative achievements.The fourth part obtains the thinking and perception of ink figure painting creation on the basis of personal full creation,mainly for the thinking of image modeling,the understanding of form composition and the expression of ink interest.