On The Significance Of Native Consciousness To Chinese Oil Painting Since 1980s And Its Influence On My Own Oil Painting

With the cultural intermingling and the continuous development of social economy in the new century,people are full of aspirations for the future but at the same time they cannot help but feel swayed and confused by the successive arrival of various new modern art forms and social trends.In the context of the fusion of Eastern and Western cultures,and the intersection of history and modernity,it is inevitable that Chinese oil painting art will flourish in the new century from the perspective of world pluralism.Throughout the development of local consciousness in Chinese oil painting,the 1980s had a special significance in stimulating local consciousness among artists due to its unique historical background.The local consciousness in the oil paintings of this period is no longer as hidden as before,but has a preliminary expression of the picture language.The sentiment of the countryside also gradually developed into a collective and national sentiment,and to a certain extent,accumulated and precipitated,producing an important historical significance to the development of painting in this era.Tracing the way back,tracing the roots that are deeply rooted in the soil of national tradition,starting from the development process of Chinese oil painting’s local consciousness since the 1980s,and using the way of thinking of "opening up the present with the past" to shape the picture language of the new period,is a necessary path for contemporary oil painting creation.Establish a good artistic orientation,and improve the quality of local consciousness through practice and innovation.Based on the historical development of Chinese oil painting since the 1980s,this paper analyzes the development process of local consciousness in Chinese oil painting creation based on the development of local consciousness in oil painting creation and uses it to explore the influence of local consciousness on oil painting creation in the new era.The introductory section focuses on the background and significance of the chosen topic,and on this basis,it explains the idea of writing this paper,the current situation of the research and the research method,and defines the concept of local consciousness in Chinese oil painting.The first chapter of the main text reviews the development path of local consciousness in Chinese oil painting in the 1980s,mainly analyzing the local consciousness in oil painting creation and its periodization in works.The second chapter focuses on exploring the influence of the changing development of local consciousness on the creation of oil paintings since the 1990s.The third chapter analyzes the significance of local consciousness to current oil painting creation.Chapter 4 is based on the study of local consciousness,and further explores and reflects on local consciousness through graduation creative practice in combination with the humanistic emotions of one’s hometown.Finally,it is concluded that Chinese oil paintings created under the influence of local consciousness since the 1980s have,in their diversified forms,more deeply interpreted the important influence of local consciousness on the spirit of contemporary art and culture.Adhering to the national policy on literature and art,national rejuvenation and cultural integration are indispensable parts of the development of Chinese painting.Regardless of the age,Chinese oil painters’ expression and exploration of the language of painting have always revolved around the local Chinese culture in the changing times.The development of humanities and history has contributed to the local consciousness of Chinese oil painting,and Chinese oil painters continue to empower and inject new vitality into Chinese oil painting art with their distinctive local consciousness.