A Study On The Phenomenon Of Republic Of China’s Ci-poetry Style Echoing For Tang-Song Ci-poetry

This paper is mainly based on Quan Min Guo Ci(Volume Ⅰ).From the perspective of communication and acceptance,it studies the phenomenon of responding and imitating of the ci-poetry of the Republic of China to the ci-poetry of the Tang and Song Dynasties,so as to form a clearer and comprehensive understanding of the ci-poetry world of the Republic of China.In addition to the introduction,the paper is divided into five parts,as follows:The first chapter is to sort out the high-yield poets imitating in the ci-poetry world of the Republic of China(such as Wang Dong,Zhou Andeng,Liao Entao,etc.)who are active in the "first echelon",and explore their responding and imitating of the ci-poetry.This chapter also describes the generation mode of the responding and imitating in the ci-poetry world of the Republic of China,and discusses it from four aspects:organization of ci-poetry society,making responding and imitating of the ci-poetry with friends,self-expressing feelings and inscription,in order to have an overall understanding of the responding and imitating Tang and Song ci-poetry of the Republic of China.The second chapter is based on the poets,listing the ranking list of the poets of the Republic of China who are responding and imitating Tang and Song ci-poetry,and analyzing the data from the distribution of the times and the division of heat level,it is concluded that the favorite objects of responding and imitation of Tang and Song ci-poetry of the Republic of China are Zhou Bangyan,Wu Wenying,Jiang Kui and so on.At the same time,two representative poets(Zhou Bangyan and Wu Wenying)are selected to carry out a case analysis based on their acceptance of responding and imitating of the Ci,in order to grasp the orientation of the ci-poetry of Republic of China responding and imitating Tang and Song’s.The third chapter takes ci-poetry as the main part,listing the ranking list of the poets of the Republic of China who are responding and imitating Tang and Song ci-poetry,and analyzing the data from three aspects:author attribution,era distribution,theme and emotion.At the same time,this chapter selects the situation of responding and imitating of the ci-poetry of two representative ci-poetry poems(On Red Lotus Petals and Nian Nujiao),to carry out text analysis,in order to grasp the aesthetic orientation of poets imitating the ci-poetry of the Republic of China.The fourth chapter mainly focuses on the tone of ci-poetry,presenting and analyzing the data of the responding and imitating Tang and Song’s tone of ci-poetry of the poets of the Republic of China.Then,this chapter select different styles of"high-frequency" tone of ci-poetry,namely Song of Divination and Preface to the Warbler’s Singing to carry out case analysis and research,in order to master the intonation selection and use the tone of ci-poetry of poets imitating of the Republic of China.The fifth chapter summarizes the reasons,innovations and characteristics of the responding and imitating Tang and Song ci-poetry of the Republic of China.There are two reasons:the inherent charm of Tang and Song ci-poetry poetry;The mentality of the survivors and the emotional resonance under the living conditions.Its characteristics are as follows:focusing on key points,learning from special personnel and artistic acceptance,both form and spirit.Reward its innovation,that is,the transformation of key objects of responding and imitation of Tang and Song ci-poetry and the renovation of content of responding and imitation.