A Comparative Study Of Horse Figures In People And Horse Paintings In The Yuan,Ming And Qing Dynasties

With the overall improvement of China’s economic strength in recent years,the personalized demand for household textiles is increasing.At present,the household textile industry is developing rapidly,but it still faces the problems of insufficient application and promotion ability of cultural resources in the industry and low international competitiveness of brands.Based on domestic market consumption,upgrading domestic demand and promoting household textiles with the significance of inheriting Chinese national culture are the needs of the industry.People and horse painting in yuan,Ming and Qing Dynasties is one of the excellent traditional cultures in China.The horse graphics in these three periods have rich connotation,different shapes and distinctive national characteristics.This paper makes a comparative study of the horse graphics in the People and horse painting in the yuan,Ming and Qing Dynasties,takes its artistic modeling characteristics in different periods as the design basis,extends its cultural implication to the contemporary textile design,and deeply studies its role in the significance of the national cultural inheritance of Chinese home textile products,which conforms to the development trend of our country’s home textile industry.The article mainly includes six chapters.The first part is the introduction,which mainly investigates the background of the topic,the purpose of comparing the horse graphics in the people and horse paintings of the yuan,Ming and Qing Dynasties,the significance of promoting the horse graphics in the people and horse paintings of the yuan,Ming and Qing Dynasties to become a design element in the design of household textile products,the research status of the artistic modeling of the horse graphics in the people and horse paintings of the yuan,Ming and Qing dynasties at home and abroad Research methods of practical operation based on the existing theoretical research.The second chapter is an overview of the interpretation,definition,formation factors and development process of people and horse painting in the yuan,Ming and Qing Dynasties.The third chapter starts from the perspective of humanistic temperament,and compares the similarities and differences of aesthetic consciousness and symbolic connotation of horse graphics in yuan,Ming and Qing Dynasties.From the perspective of artistic modeling,the fourth chapter compares and analyzes the morphological characteristics,expression forms and expression methods of horse graphics in yuan,Ming and Qing Dynasties.The fifth chapter analyzes the feasibility and principles of the application of horse graphics in yuan,Ming and Qing Dynasties in modern household textiles from the perspective of application.The last chapter is aimed at the problems faced by China’s modern household textile market at this stage.Through the combination of example demonstration and practical demonstration,it summarizes the Enlightenment of the horse figure in the people and horse painting in the yuan,Ming and Qing Dynasties to the modern household textile design from the perspectives of culture,art and application,so as to provide design inspiration and theoretical support for the practical design of China’s modern household textiles and promote the international development of China’s household textiles.