Research And Practice Of "Freehand Brushwork" In Tang Yongli’s Meticulous Figure Painting

In traditional Chinese painting,"standing image" is the means of doing one’s best."Yi" is not only the spiritual pillar of Chinese painting,but also the true intention of the artist to create a work,and the ultimate goal of art activities.Whether it is painting or literature,what really builds them is the development of their language.The central idea is that creation requires more free space,and the creation is also very casual.The works should contain the painter’s thoughts and emotions,as well as the innovation and application of techniques.Without the support of spirit and thought,works often appear dull and empty.In essence,as the two major forms of Chinese painting,gongbi painting and freehand painting are both freehand.Contemporary gongbi figure painting builds a brand-new gongbi figure creation technique and system on the basis of inheriting tradition and drawing on foreign concepts to fully display The inner spirit and artistic personality of the painter.Tang Yongli’s meticulous figure painting "Dream of Dunhuang" series embodies his profound understanding of national art,the discovery and publicity of the beauty of ancient meticulous figure painting,and the integration of traditional and modern,eastern and western painting concepts.In "Dream of Dunhuang",the beauty of form is emphasized,and the composition,shape,color,technique and other aspects of the work all reveal the meaning of clarity and clarity.He proposed "freehand brushwork" and "freehand brushwork" in theory,and created "drop-off method" and "virtual dyeing method" in practice,which made great contributions to the development of meticulous figure painting.In order to adapt to the development of the times,meticulous figure painting must be constantly updated and changed,and a new painting language should be explored on the basis of traditional painting,so that the meticulous figure painting will show a new atmosphere in the contemporary era and reproduce the glorious history of meticulous figure painting.This paper mainly takes the "freehand brushwork" in the fine brushwork figure painting as the breakthrough point,and based on Tang Yongli’s works,analyzes the connotation contained in the fine brushwork figure painting from the conception,composition,shape,color,technique and personal emotion of the creation of the works."Freehand".Provide theoretical support and systematic guidance for the practice of the fourth part of the graduation creation.From the collection of materials,composition and modeling,color texture structure and emotional expression,to creative reflection,this paper discusses the embodiment of the freehand brushwork of contemporary meticulous figure painting in the creation,and deepens my thinking on the creation of meticulous figure painting and the freehand brushwork of contemporary meticulous figure painting.The expectation and prospect of the development trend.