There Are People In The Scenery And Everyone Is Also The Scener

On the road of nationalization of oil painting,the relationship between characters and landscapes in Chinese painting is a topic that I pay attention to,and "point scene figures" is a kind of expression method in traditional Chinese painting,which is often closely related to the artistic conception and semantic extension of the picture.According to this point of view,I tried to analyze the feasibility of its form in the creation of contemporary oil paintings from the "point scene figures" of Chinese painting,so as to guide my graduation work and even my future artistic creation.The point view figure is actually a kind of expression in the field of Chinese painting,which occupies a relatively small area in the whole painting,but plays an important role.The dot scene characters not only adjust the rhythm of the picture,enrich the composition of the picture,and convey the philosophical wisdom of the painter’s "unity of heaven and man",but also the reflection of social development and change.Although the concept of spot scene figures is not directly pointed out in Western landscape oil paintings,the painter has also been exploring the relationship between man and scenery,the relationship between man and nature.This article aims to analyze the humanistic connotation and aesthetic interest of Chinese landscape paintings by simply combing the content changes of the dot scene characters in chinese landscape paintings of past dynasties,and the relationship between Westerners and scenery.Combined with my further understanding and application of the characters in the dot scene during my graduation creation,I talked about my personal practice and perception of artistic creation.This article is divided into three chapters,the first chapter is the research origin of this paper,briefly summarizing the origin and research methods of the thesis research,the second chapter is the main body of research,is an open art style study towards the comparison between China and the West,including three subsections,from Friedrich’s creative style to lead to the relationship between the characters in landscape painting and the concept of dot scene characters in Chinese painting,respectively,from the rise of landscape painting to the prosperity and development of landscape painting,that is,the Wei and Jin Dynasties,the Sui and Tang Dynasties,the Two Song Dynasties and the Ming and Qing Dynasties.Each period selects a work for elaboration,the purpose is to sort out the changes and connotations of the times of the dot scene characters in Chinese painting;the last subsection starts from the exploration of oil painting creation supplemented by the main character of the scene;the purpose is to analyze the relationship between the proportion of characters and scenery in oil painting.The third chapter is devoted to my graduation work,introducing the practice of the expression technique of dot scene characters in oil painting in graduation creation,the reasons for the creation,and the creative perception.