The Singing And Artistic Treatment Of "Don't Speak Of Me" In The Opera "Don Giovanni

Mozart is an outstanding composer of the 18 th century Austria.He created more than 600 work in his life,and created almost all areas of music.Among them,the opera is one of the most important fields in Mozart music creation.The opera "Tang Yan" is the second curtain lottery of Mozart,and the script is made by old partner.Ponte creates in accordance with the Italian drama writer Beltti 1775 script."Don’t say me" is the aria of "Tang Yan" Central Dunna Anna,the paragraph appeared in the second scene of the full drama.This sighing showed the emotions of Anna complex entangled characters,and the whole song showed a strong drama conflict.This article will "don’t say me" in the perspective of the singer,the integrated exploration of the aria,song-style characteristics,singing skills,emotional expression,in depth,to understand the main points of the arctic,and grasp Mozart’s aria creative style,providing theoretical foundation for the full interpretation of the graduation concert "Don’t say me".This paper analyzes three aspects.The first part mainly introduces Mozart’s life,the creation of the opera "Tang Juan" and the story of the opera.The second part is an artistic feature of Donna Anna,"Don’t say me",and analyze the opera,accompaniment,and aria,singing skills.The third part discusses the aria character role,language phrase and emotional treatment.The article summarizes the key points in the process of learning the aria,and provides a more comprehensive character image,the theory of emotional expression for the singing singing singing.At the same time,I hope to provide a certain reference value for vocal learners who sing Mozart opera.