“Stellen” Invisible

This article uses the common name "big glass" instead of the original title "the bride is even stripped of her clothes by the bachelors",because it is intended to emphasize the "lens" meaning of Duchamp’s work,that is,this work is in the The meaning of "view" that the entity itself has.At the same time,I observe "Large Glass" as a slice of Duchamp’s concept of space.Taking "Large Glass" as the "window" of Duchamp’s research on space,trying to return to Duchamp’s "arrangement" method in the action of deciphering ideas.Throughout the whole article,it includes two research starting points with "Big Glass" as the research object and space transformation as the research background,and in the blending structure of the two,the research method of "space-jing-space" is proposed.From the introduction to the first chapter,we start with viewing space,and based on spatial representation,we develop the world as a phenomenon of viewing.The second chapter "From Space Viewing to Space Viewing" intends to clarify the basic principle that space is acquired as a result of viewing,and to construct a mirage model corresponding to the principle.From the dynamism that spans between reality and nonreality,through the "interface" nature of space,it is proposed to capture space from the perspective of "scenery",and take "scenery" as the meta-language of meta-space.In the third and fourth chapters,we further focus on the evolution of Duchamp’s works in the concept and concept of the space transformation from the 19 th century to the 20 th century.Key words such as deconstruction,reproduction,transparency,X-ray,etc.appear.Between "placement" and the construction of the concept of space,science and technology began to affect various fields such as art,fashion,and architecture,and the concept of "space-landscape" related to modernism and existentialism was newly developed,and simultaneously created "Scenery-space" concept.With the help of the dynamic "interface" of the landscape existing in the space,Duchamp’s "placement" method mastered the original power of the transparent space and the virtual space.Whether it is from the framing of paintings and photography,or to the interface of drama,film,and television,what is hidden is a stage with a deep and transparent space and "interface" similar to a theater.Regardless of the background of the space view,the objects themselves and the arrangement of objects emerge from the level dislocation of the active "interface".Therefore,this paper establishes the conceptual configuration of "space-jing-space" through research methods to deconstruct the work "Big Glass".In the interpretation of the nature of "interface",the real situation that "landscape" provides for people’s life in space is extracted,and the overall space of real "landscape" is obscured by illusory "landscape".