Add Wonderful Details To The Painting-A Research Of Sun Long’s Painting Of Flowers And Birds

After the prosperity and development of flower-and-bird painting in the Song and Yuan dynasties,it took on a variety of features in the Ming Dynasty,and the flower-and-bird painting began to prevail.Thanks to the emperor love art,pay attention to for the artist’s talent absorption and cultivation,Ming dynasty art academies in jintong,chenghua and hongzhi dynasties most thriving,courtyard body painting to develop,in the courtyard body painting of flowers and birds painting is particularly prominent,there have been some continuity of flowers and birds painter,after the Ming and development had a significant influence of flowers and birds painting,Sun Long is one of them.Amongst the style of Chinese paintings in the Ming dynasty,although Sun Long "no bone figure" has not yet formed a standard paradigm,and than Lin Liang,Lv Ji and others at the same time,its influence on painting much less,but the particularity of Sun Long is he as a court painter,broke the flower-and-bird paintings in the palace of people about cognitive inertia,The introduction of the wild and free interest emphasized by the literati into the court painting academy makes us have a more comprehensive understanding of the Ming Dynasty courtyard painting.On the basis of inheriting the boneless painting method of his predecessors,Sun Long integrated the free interest of literati and freehand style of literati painting into his painting techniques,and developed a new look of boneless flower-and-bird painting with freehand brush.He became a painter who could not get past the study of flower-and-bird painting in Ming Dynasty.This article through to Sun Long life combing the historical data and summarized his works,cataloguing work,graphic analysis and combined with retained the historical data to explore Sun Long painting language is significant in several features,tries to reveal the paintings in the art and aesthetic connotation,and from the painting style of inferring the implications for the transition of Ming flower and-bird painting development and painter the impact on later generations.