An Examination Of The Relationship Between The Chinese Society Of Arts Studying In France And China Academy Of Art

The Chinese Art Society in France,which was active in France from the 1930 s to the 1950 s,is the oldest,largest,and most influential art group among the art groups studying abroad.People call it the "incubator" of Chinese artists in the last century.The Chinese Art Society in France has left an indelible mark in the history of modern art,which is of great significance to the development of domestic art.After the author counts the members in the list,most of the pioneers of oil painting and sculpture have a close relationship with the National Academy of Arts.Some of them teach in the National Academy of Arts after returning from studying in France,and there are teachers who teach or study in the National Academy of Arts.After being born and studying in France,he joined the society.According to the author’s statistics,the members of the National Art School include Liu Kaiqu,Wang Ziyun,Cheng Manshu,Zeng Zhushao,Lv Xiaguang,Zhou Qingding,Wang Linyi,Li Fengbai,Huang Xianzhi,Zhuang Ziman,Xie Touba,Qin Xuanfu,Chang Shuhong,Hu Shanyu,Chen Shiwen,Zhou Gui,Chen Zhixiu,Zao Wou-ki,Xie Jinlan,Wu Guanzhong.According to the personal biographies of the members and the manuscripts,letters and other materials left in the relevant literature,it is shown that there is a close connection between the two,and according to the investigation of Lin Fengmian and Lin Wenzeng,the "Hopps Club" was the predecessor of the Art Society of Studying in France.There are practical implications for studying and comparing the link between the two.Through this paper,the author has verified the time spent in France and the time spent studying or teaching in the national art colleges.The teachers and students at the national art colleges account for a large proportion of the overall members.Full-time teaching or learning process will be explained.The author hopes to try his best to restore the historical appearance of the Chinese Art Society in France and the National Art School at that time.Later,he also carried out a related historical theme creation To the Bright Days and recorded the author’s own creative report.I hope I can do my part to supplement the school history of the China Academy of Art,and at the same time provide material and theoretical support for my own creation.