A Study Of Liangzhou Poetry In The Tang Dynasty From The Perspective Of Literary Geograph

Located in the eastern section of hexi Corridor and at the crossroads of the Silk Road,Liangzhou has been an important military town in Hexi and even northwest China since ancient times.The central dynasties of Our country all attach importance to the management of Liangzhou,especially after the establishment of the Tang Dynasty,the large-scale development and construction of Liangzhou,liangzhou has achieved unprecedented development,and further consolidated its position as the political,economic and cultural center in hexi region.As an important town along the Silk Road,Liangzhou was a place where Chinese and Western cultures communicated and merged.Its long historical and cultural accumulation and unique cultural and regional features also provided fertile soil for the prosperity and development of Liangzhou poetry in the Tang Dynasty.Liangzhou poetry in the tang dynasty as the research object,this paper from the perspective of literature geography,through to the tang dynasty liangzhou poetry text and history data,explore the tang dynasty liangzhou creation pattern,the artistic style of poetry,the poet’s feelings and mentality etc,in order to liangzhou poetry unique cultural connotation has a more profound understanding.The first chapter explores the historical evolution of Liangzhou,summarizes the natural geographical features and human geographical features of Liangzhou,and sorts out the creation of Liangzhou poetry before tang Dynasty.The second chapter,from the perspective of creation mode,classifies tang Liangzhou poetry into two modes: personally experienced poetry and imagined poetry.From the perspective of literary geography,it compares the differences in space writing between personally experienced poetry and imagined poetry from three dimensions of geography,psychology and culture.First of all,from the selection of geographical images,as well as the narrative Angle of geographical space,the author summarizes the different characteristics of geographical space displayed by personal and imaginary works.Secondly,through the analysis of "Chang ’an complex" revealed in the personal works and "territory consciousness" contained in the imagination works,the different psychological space mirror images presented by the two are summarized.Finally,by comparing the ways of perception of culture between personal works and imagination works,it is concluded that personal works mainly rely on regional folk culture to perceive Liangzhou culture,while imagination works describe the cultural space of Liangzhou mainly by relying on the cultural imagination conveyed by music liangzhou.The third chapter summarizes the impression of Liangzhou in historical materials and poems.Firstly,it analyzes the common recognition of Liangzhou in historical records and poetry writing,and summarizes the image of Liangzhou in the hearts of Tang people as "the town of military frontier defense","the capital of ethnic integration" and "the prevailing place of Buddhism".Secondly,it compares the different presentation of "Liangzhou" in historical materials and poetry.Historical materials mainly record the geographical location of Liangzhou,focusing on the real natural geography and human geography characteristics of Liangzhou.Poetry records individual life and emotional experience,mainly reflecting the influence of liangzhou regional culture on the poet’s mind.In terms of writing methods,historical materials and poems show macroscopic and microscopic differences.Historical materials lay more emphasis on the outline of the whole,while poetry lays more emphasis on the description of details.In terms of the content of expression,historical data and poetry are not the same,showing more of a dislocation,reflecting the difference between the actual situation and poetry creation.Finally,the wine culture of Liangzhou is taken as an example to illustrate the supplementary effect of poetry creation on historical data.The text space created by poetry is more three-dimensional and rich,and vividly reproduces the regional culture of Liangzhou.The fourth chapter,from the perspective of regional space,discusses the influence of the spatial change of territory and political and historical changes in tang Dynasty on poetry creation.With the anshi Rebellion as the node,the creation of Liangzhou poetry in tang Dynasty changed greatly from poetic style to emotional implication.In the heyday of tang Dynasty,the territory of Tang dynasty was vast,and the literati of tang Dynasty who was born in the heyday of Tang Dynasty had positive pioneering consciousness.Liangzhou poetry of this period was filled with positive and high emotional appeal,showing the atmosphere of the heyday of Tang Dynasty.After the anshi Rebellion,Liangzhou was lost,and the geographical space of tang Dynasty was sharply reduced."Liangzhou" became a symbol of sorrow in the eyes of poets,and liangzhou poetry was also covered with the sadness of The Times.The change of the poetic style of Liangzhou poetry is also the epitome of the prosperity and decline of tang Dynasty,which reflects the changes of society to a certain extent and has important significance of The Times.