Research On Yuxiang Literature In The Middle Tang Dynast

Hunan literature is not only the main body of ancient Hunan literature,but also an important part of Chinese literature.Hunan is the birthplace of Chinese relegated literature.From the pre Qin Dynasty to the Mid Tang Dynasty,the literati Bumei Shengju lived here.Their literary creation has a sad emotional tone and a strong romantic color,which has achieved the unique style of Hunan literature.Since the Mid Tang Dynasty,with the influence of war,politics and other factors,the number of literati living in Hunan has increased sharply,and the literature living in Hunan has also ushered in a period of comprehensive prosperity.It has become a regional literature that occupies a key position in the context of the second large-scale migration tide in Chinese history and the evolution of Chinese literary style.In the literature about Hunan in the middle Tang Dynasty,poetry was in the main position and had the largest number.Therefore,it is undoubtedly of great academic significance to take the relationship between man and land as the starting point,take the poetry of Hunan in the middle Tang Dynasty as the research focus,analyze the geographical images with literary significance,and select the poetry of Du Fu,Yuan Jie,Liu Yuxi and Liu Zongyuan to explore the contribution of the literature of Hunan in the middle Tang Dynasty to the development of Chinese literature.The introduction introduces the origin and significance of the topic,defines the research object,combs and comments on the research status of Hunan Literature in the Tang Dynasty.The first chapter includes two aspects: first,it analyzes the development and influence of Hunan literature before the Mid Tang Dynasty.This period of literature mainly focuses on romance and sadness,and has accumulated rich experience for the Mid Tang Dynasty’s Hunan Literature in terms of theme,style and form;Secondly,through the combination of literature and history,this paper investigates the experience and poetry creation of the literati in the middle Tang Dynasty,and on this basis,analyzes the development stage and causes of the literature in Hunan in the middle Tang Dynasty.The second chapter explores the role of the poems about Hunan in the middle Tang Dynasty in the development of Chinese ancient literary images,that is,it contributes to the geographical images with literary significance and rich connotation.First of all,under the creation of the poets who lived in Hunan in the Mid Tang Dynasty,the Dongting Lake and Junshan landscape groups have become the most advanced literary and geographical images through the hierarchical superposition of aesthetic significance,legendary significance and humanistic significance,as well as the establishment of relevant landmark landscapes;Secondly,taking "influence anxiety" as the starting point,this paper analyzes the writing of the image of Yueyang Tower in the poems about Hunan in the middle Tang Dynasty,discusses the different attitudes and ways of the poets about Hunan in the middle Tang Dynasty to deal with the creative pressure under the influence of the pioneer poet Meng Haoran,and analyzes the significance of Yueyang Tower poems under anxiety writing to promote the development of Tang poetry;Thirdly,starting from the physical geographical space of "Xiaoxiang" and focusing on the identification of scholars,this paper analyzes the contribution of the poets who lived in Hunan in the middle Tang Dynasty to the formation of "Xiaoxiang" image.On the one hand,with the joint efforts of the poets who lived in Hunan in the Mid Tang Dynasty,the status of Hunan landscape in the mainstream discourse writing system has been continuously improved;On the other hand,due to the spread of man and earth,Dufu,Yuanjie,Liu Yuxi,Liuzongyuan and Hunan supported and achieved each other,creating a grand occasion of benign interaction between man and earth.The third chapter analyzes the life consciousness in Dufu’s poems about Hunan.In the aspect of life ontology,Dufu’s true writing of physical diseases reflects his calm in the face of life and death,and his poems about diseases in Hunan objectively opened the tendency of Hunan Literature and Song poetry to attach importance to life,forming a literary style different from that of previous scholars;With the help of "psychotherapy",he empathized with the life pursuit of active official career and the life experience of intoxicating the landscape,alleviated the torture of physical diseases,had more powerful spiritual power than the traditional Hunan literati,and showed a vigorous style in the Hunan literature with sadness as the background.In the aspect of life value theory,Dufu integrated "small self" into "big self".He inherited Qu Yuan’s patriotism,wrote "anxiety" about the country and the people in his poems about Hunan,reflecting the ancient intellectuals’ sense of responsibility for life;He also used the thought of saving the country and the people to heal the "heart disease",which called for the common people in the current situation,realized the maximization of the value of life,and in a certain sense promoted the formation of the practical thought in later Hunan culture and literature.The fourth chapter discusses the anti-traditional creation of Yuan Jie in Hunan under the shadow of Qu Sao tradition.First of all,it analyzes Yuan Jie’s experience in Hunan and the general situation of poetry creation.Secondly,it analyzes the reasons for the absence of Qu Sao tradition in Hunan literature.Thirdly,it explores the significance of Yuan Jie’s anti traditional creation: the poet kept looking for mountains and water,quite relaxed,and wrote poems expressing his feelings for mountains and rivers,which made his emotions tend to be peaceful and comfortable,and finally obtained the philosophical power to counteract Qu Sao’s sad tradition;He held high the flag of elegance and realism and created political critical poems,which impacted the strong romantic tradition of Qu Sao in Hunan.The fifth chapter focuses on the background of the evolution of Chinese literary style after the Mid Tang Dynasty,and analyzes the creative significance of Liu Yuxi’s Hunan folk song style poetry from the perspective of the exchange between the Central Plains elegant literature and local popular literature.First of all,investigate the poet’s poems in Hunan folk song style.Secondly,from the subjective and objective aspects,it discusses the causes of the poet’s creation of Hunan folk song style poetry.Thirdly,it analyzes the significance of the poet’s creation of Hunan folk song style poetry: he refined Hunan folk songs from the aspects of emotional expression,language characteristics and expression techniques with the power of elegant literature in the Central Plains,deepened the artistic conception and ideological realm of Hunan folk songs,and enhanced their literary status;Hunan folk songs also feed back the poets with the vitality of local popular literature,making them the founder of new literary style,promoting the development of Ci,and thus injecting vitality into Chinese literature.The sixth chapter discusses the significance of Liu Zongyuan,a scholar who moved to the north,to the development of southern literature from the perspective of the gradual southward movement of cultural focus after the Mid Tang Dynasty.Firstly,it analyzes Liu Zongyuan’s educational thought;Secondly,after Liuzongyuan was relegated to Yongzhou,a large number of young scholars came to study.The poet used systematic educational ideas to teach the way of writing;Third,with the support of educational thought and literary thought,Liu Zongyuan,with the determination and strength to develop local education,devoted himself to improving the literary literacy of Southern scholars,making them occupy a certain advantage in the imperial examination,objectively providing an opportunity for the rise of Southern Literature in the Song Dynasty;Fourth,Liuzongyuan’s "eight records of Yongzhou" has a tendency different from the relative mystification of landscape in the literature before the Tang Dynasty.As a discoverer and reformer,he has become an important scholar in the development history of Chinese landscape literature and relegated literature with the help of personification.