Mirror Field And Main Perspective In Rural Documentary Creatio

Visual anthropology as the crystallization of anthropology and film and television art,on the basis of focusing on anthropological methods,it uses film and television methods to seek a concrete and visible cultural understanding and ideological expression.The development of visual anthropology has played an important role in promoting the social development and cultural heritage of contemporary China,and has accumulated a lot of successful experience in academic and practice.The visual anthropology documentary is not only the research object of visual anthropology,but also the carrier of cultural inheritance,which has both the scientific nature of anthropology and the artistry of film and television science.Rural documentaries and visual anthropology documentaries belong to the category of documentaries,but the development of rural documentaries is slower than that of visual anthropology documentaries,and innovations are also urgently needed in terms of creative concepts and shooting techniques.This paper puts rural documentaries under the perspective of visual anthropology,and draws on the principles and concepts of visual anthropology,as well as the filming methods of visual anthropology documentaries,to provide theoretical methods and practical guidance for the creation of rural documentaries.This paper is mainly divided into six chapters: The first chapter is the introduction,which mainly explains the research background,research significance,research methods,and the research status of Chinese visual anthropology and rural documentary.The second chapter is an overview of rural documentary,which clarifies the definition of rural documentary and divides its development in stages.The third chapter is the reference of rural documentaries to the field paradigm of visual anthropology,integrating immersive field experience and video oral history into the creation of rural documentaries.The fourth chapter is inspired by the thematic perspective of visual anthropology,selects the theme of returning to the "place" in the creation of rural documentaries,selects themes that reflect the cultural diversity in the Chinese context,and uses multimedia applications to achieve the effect of true co-construction.The fifth chapter is the interpretation and creative reflection of personal works based on the theoretical innovation above,following the principle of combining theory and practice,focusing on the fieldwork,tracking shooting,deep imagery and other shooting methods in personal works,as well as the homeland perspective of rural localization and theme of fairy beliefs,and speculate on the application and limitation of field method and thematic perspective in creative practice...