Research On Xu Dishan From The Perspective Of Cultural Integratio

Xu Dishan is a scholar worthy of attention and research.His unswerving religious and romantic beliefs,as well as his sense of family and national urgency as a literati of the "May Fourth" generation,prompted him to form a unique creative style.Growing up under the influence of traditional culture since childhood,deeply influenced by multi-religious culture,and having many experiences of studying abroad,Xu Dishan has an independent view on the modern development of Chinese culture in the multi-cultural field and thinking,so his creative texts also have more space for cultural interpretation.This paper enters the study of Xu Dishan from the perspective of "cultural running-in",adopts the structure of "total-point",and firstly conducts an objective and overall exploration of the running-in state of his creation concept and text consciousness in ancient and modern Chinese and foreign cultural fields.The personal cultural view and the chosen text writing strategy established when the Chinese and foreign cultures are running in and meeting,and the overall interpretation of Xu Dishan from the perspective of "cultural running-in" from the macro level.Secondly,it analyzes the dynamic running-in process of various cultural factors under the two main lines of romance and realism in Xu Dishan’s works,and examines the specific patterns of text practice in his creation under the guidance of the cultural strategy of "harmony but difference".state.Then try to reveal the efforts made by Xu Dishan for the construction of "Great Modern Chinese Literature" from the dynamic vision at the micro level under the running-in state of multicultural factors.This article is divided into five parts.First,the introduction part is divided into two aspects.The first is a review of Xu Dishan’s research in the academic circles.In the order of time,it is divided into three parts: before the founding of the People’s Republic of China,after the founding of the People’s Republic of China,before the reform and opening up,and after the reform and opening up.The research results of Xu Dishan and his works are sorted out,and his research trends are generally summarized.describe.Second,by analyzing the current academic research results on Xu Dishan,it is found that although the research in recent years has gradually moved towards an all-round and multi-level direction,the research on his whole person has not yet matured,and his creation has not been based on modern literature.In the overall trend of development,to analyze the way in which the consistent romantic belief and the realistic sense of urgency embodied in his works collide and run in the text.Therefore,this paper focuses on Xu Dishan’s novels and prose creations,starting from the cultural view of "harmony but different",to explore the overall running-in state of the writer’s creative view and text awareness,and at the same time,based on the two aspects of romance and realism in his specific creations.The dynamic running-in process of the main line is a research flow line,trying to conduct a whole-person study on Xu Dishan from the perspective of "cultural running-in",and trying to find more possibilities of "cultural running-in" from Xu Dishan and his works,and then discuss "cultural running-in".The significance of "On" for the study of Xu Dishan.Secondly,the content of the first chapter is "Xu Dishan’s creative view and text consciousness from the perspective of cultural integration".The first section discusses Xu Dishan’s deepening creative views throughout his creative career from three aspects:the two-way integration of romantic beliefs and religious dispositions,the mutual learning between perfect personality and ideal moral values,and the continuity of humanistic consciousness and ultimate concern for life.The three collided and worked together together,intertwined and contributed to Xu Dishan’s unique literati identity and unique cultural choice.The second section discusses Xu Dishan,who is based on the integration of tradition and modernity,on the basis of adhering to the creative principle of "incorporating tradition into modernity,and reflecting on tradition with modernity",on the basis of cultural self-examination and modernity introspection,global vision and national heritage.Efforts made in this regard delves into the textual writing paradigms that his work established in the interim.During this period,there are not only reflections on the issue of nationalization,inheritance of classical poetics,but also the application of modern techniques in the selection of multiple styles,the use of narrative skills,and translation works.Among them,Xu Dishan is based on an equal,open and free vision,based on the cultural perspective of "harmony but different",and on the basis of adhering to the awareness of cultural standard,actively expand the strengths of Eastern and Western cultures,for "" Contribute to the construction of "Great Modern Chinese Literature".However,on the basis of realizing the self-examination and modernity reflection of local culture,Xu Dishan has achieved a breakthrough and leap in himself while retaining the national heritage with a global vision.It is embodied in the dynamic running-in process of the two main lines of romanticism and realism,which have been consistently and continuously deepened in his specific creation,and various cultural factors have also realized rational interaction and convergence under the two.Therefore,Chapter 2,"Preliminary Convergence: ’Explicit’ Romance and ’Invisible’ Reality," is divided into two sections.The first section discusses how romanticism,as a "bright thread" in Xu Dishan’s initial creative practice,achieved explicit writing in the blending of factors such as foreign land,religion,marriage and love.In the meantime,various factors jointly promoted and sublimated this "romance",and jointly built the unique "romantic kingdom" written by Xu Dishan.The second section focuses on Xu Dishan’s initial creative practice,how realism,as an "invisible" streamline,realizes the realization of the reality of the times,the sadness of life,and other romantic writing forms through tortuous plots,exotic sentiments,and diverse religions.The choice and grasp of multiple themes such as the meaning of life.The collision and running-in of the romantic and realistic factors is the writer’s initial attempt to trace the real life with romantic description.Thirdly,the content of the third chapter is "Deep Run-In: Rational Reality Expression and Unchangeable Poetic Belief".The first section focuses on the reasons for the continuous prominence of realism in Xu Dishan’s deepening creative practice,and the influence of the combination of the theme of the work and the theme of the times,the interweaving of family and national feelings and class consciousness under the influence of deepening the reality of the work.important role of description.The second section discusses from five aspects Xu Dishan’s romantic creation style that cannot be discarded in his constantly deepening realistic creations and his firm belief in romance.Therefore,in Xu Dishan’s specific creation,romance and reality are the two main lines.The process of collision and running-in with each other is itself a dynamic,unified and coherent process.From the perspective of cultural running-in,the two are also in Xu Dishan’s work.In the practice of text,from the initial meeting,it gradually realizes the running-in and interweaving at a deep level.Finally,the title of the epilogue section is "Searching for the Road of Redemption in Cultural Pursuit and Running-in".From the perspective of "cultural integration",Xu Dishan has always maintained a sober attitude and a global vision in the process of creation,under the guidance of the cultural practice principle of "learning Chinese and Western,absorbing ancient and modern",in the field of ancient and modern Chinese and foreign cultures.the best choice.From the context of globalization and the level of a community with a shared future for mankind,Xu Dishan has been pursuing a path of "redemption" in the present world full of thorns and ideals and a world of cultural harmony of "beauty and beauty",which in turn contributes to the modernization of Chinese literature.It provides a new path for multicultural integration and innovation.