Study On The Acceptance And Transformation Of Cursive Script Of Tang Dynasty In "Chun Hua Getie" And "Xuanhe Shupu"

The dissertation mainly studied "Chunhua Getie" and "Xuanhe Shupu".Through the analysis and comparison of "Chunhua Getie" and "Xuanhe Shupu" the similarities and differences in the selection range,selection preferences,evaluation methods,etc,the author sorts the context of the acceptance and transformation of the cursive script of the Tang Dynasty in the development process of the cursive script of the Northern Song Dynasty.The dissertation discusses the evolution of the concept of cursive script criticism in the Northern Song Dynasty,and analyze the reasons.First,analyze the production of "Chunhua Getie" and "Xuanhe Calligraphy Florilegium",and their acceptance of cursive script in Tang Dynasty,and sort their preferences for cursive script collection.The author explores from the era environment,the political intentions of the promoters,and the unique value of the development of calligraphy,from which we can get the different attitudes and acceptance levels of the two to the cursive script of the Tang Dynasty.Second,links "Chunhua Getie" and ""Xuanhe Shupu" to compare and analyze their similarities and differences.From the attitude preference of the two selected works,sort out the different stages of the development of cursive script in the Northern Song Dynasty,and the similarities and differences in the attitude towards cursive script of the Tang Dynasty;From the two methods of arranging and evaluating the cursive script of the Tang Dynasty,this paper sorts out the insistence and transformation of the Northern Song Dynasty on the development of the true value of the cursive script in the Tang Dynasty;From the two attitudes towards the collection of cursive calligraphers in the Tang Dynasty,we can see the changes in the historical orientation of the calligraphers in the Northern Song Dynasty to the cursive calligraphy in the Tang Dynasty.Then,analyzes the reasons for the changes in the acceptance of the cursive script of the Tang Dynasty by comparing the differences between the periods of "Chunhua Getie" and ""Xuanhe Shupu".Firstly,from the perspective of social system,the author explores the cultural ideals and cultural policies of the rulers of the Northern Song Dynasty,and analyzes their influence on the acceptance and development of the concept in this period combining with the social environment.Secondly,based on the environment of the times,macroscopically examine the transformation of the aesthetic atmosphere of the times,and sort out the historical logic of the transition from the concept of "advocate the rules" to "advocate the lasting appeal".Finally,return to the noumenon of the development of cursive script,and comprehensively examine the acceptance and criticism of the development of cursive script art since the Wei and Jin Dynasties in the Northern Song Dynasty.important part.From this,we know the dynamic changes in the development and evolution of the concept of cursive script in the Song Dynasty,and the change in the acceptance of cursive script in the Tang Dynasty is an important part of this evolution.In the end analyzes the theoretical value and significance of the research through the acceptance concepts of “Chunhua Getie” and “Xuanhe Shupu”,as well as cursive script of the Tang Dynasty and cursive script of the Song Dynasty.It is believed that the study of this subject can enrich the cursive style in theory,and effectively combine the cursive styles of "Tang,Song Dynasty" and "Ming,Qing Dynasty".In addition,the idea of "combination of style and calligraphy" can be effectively practiced through the integration of carving techniques and calligraphy learning.Secondly,through the analysis of the works,this paper clarifies the way of thinking and creative purpose of three-year graduate study,and makes an academic research on the theoretical basis of cursive creation,which is the main purpose of this paper.