A Study Of Xu Zechen’s Anxiety Writing In Novels

Xu Zechen’s novel,epaph,presents obvious "very" and "anxiety"."Very" represents the texture of Xu zechen’s novels,while "anxiety" is the "source power" of Xu zechen’s literary creation.In the era of very taph,Xu Zechen once fell into the dual anxiety of reality and spirit for a long time,but encountering literature made him find comfort and hope in life.The indirect experience and scenery in literature attracted him to constantly search outward and aspire to become an excellent novelist.In order to break through the anxiety and obstacles between reality and ideal,Xu Zechen,on the one hand,tries to fight against the existence of nothingness;on the other hand,through constantly writing anxiety,the characters in the novel are anxious,run and go to the wider world for him.Write the anxiety itself and "the breakthrough of anxiety",to confirm the existence of individuals and the direction of the world,step by step to turn the ideal into "reality".The study of Xu Zechen’s anxious writing is also a reflection of his creative process and creative life,and can also provide a certain mirror for the creation of contemporary novels.This paper is divided into three parts:introduction,main text and conclusion.In the introduction section,we introduce the origin of the topic,clarify the anxiety characteristics of Xu Zechen’s novels,clarify the concept of anxiety,explore the relationship between anxiety and Chinese and foreign literature creation;then classify the existing literature on the study of Xu Zechen’s novels,and evaluate the feasibility of the topic.In the text,the first chapter,starting from the aspect of character image,sorts out and summarizes the three anxious characters in Xu Zechen’s novels:"country flaneur ",urban"certificate fabricator" and painful idealist.Then,give a detailed analysis of two anxiety-producing spatial landscapes described by Xu Zechen:hometown of a very big taptaph and an ideal environment of deep difficulty,and explore the mechanism of anxiety production.The second chapter focuses on the three anxious escape routes that Xu Zechen delineates for the characters in the novel,namely,life "on the road",going to history and picking up faith.Also on Xu Zechen’s personal spirit and creative anxiety breakthrough.The third chapter jumps out of the framework of "problem analysis--problem solving" in the first two chapters,and takes the whole writing of anxiety as the object of investigation.Firstly,from the aspects of individual freedom,writing width and the construction of spiritual hometown,thinks about the significance of writing anxiety in Xu Zechen himself and the characters in his novels.Taking Xu Zechen and his writings as examples and references,this paper discusses the feasibility of "facing anxiety" as a way to break the game in Chinese contemporary novels from three perspectives:stance,attitude and method.In conclusion,looking back to Xu Zechen’s anxiety-driven novel creation process,and puts forward higher expectations for his future creation.