Late Ming Sketch Anthology In The Twentieth Century Thirties

In the 1930s,under the advocacy of Zhou Zuoren,Lin Yutang and others,thelate Ming Dynasty essays once again appeared on the stage of literature,forming the popular " essay fever",and the two schools of "ambition" and "tao" appeared around the late Ming Dynasty essays.In the background of this debate,coupled with the commercialization of commercialization,set off the compilation of the essays.Since modern times,scholars have paid more attention to and research on "essay fever" from the theoretical level,and rarely conducted in-depth research combined with specific anthologies.Therefore,this paper selected the representative anthologies published in the 1930s:Copy of Modern Prose,Collection of Ming People,Twenty sketches of the Late Ming Dynasty,and Library of Sketches of the Late Ming Dynasty as the research objects.Through the close reading of the anthology,review the overall characteristics of the writers’ works and styles,compare and analyze the similarities and differences to solve the following three problems:.First,explore the consistency of the content and differences of the author and the idea of the author of the selection of the anthology.The text of the paper is mainly divided intothefollowing parts:The first part sorts out the rise background and development stage of "sketch text fever"in the 1930s.The background of the rise of "essay fever" mainly includes Lin Yutang and Zhou Zuoren’s promotion of "humor" and "leisurely" essay,as well as the opposition of the leftist alliance represented by Lu Xun to the literary and artistic thoughts advocated by Zhou Lin.In the early stage,the two writers of Zhou Lin created the Analects of Confucius as their theoretical positions.In the middle stage,the essay writers were debated.Along with the evolution trend of "essay fever",modern scholars set off the wind of compilation of essays in the late Ming Dynasty,as well as the study and introduction of foreign "prose" theories.The second part is the compilation of four selected essays of the late Ming Dynasty(Copy of Modern Prose,Collection of Ming People,Twenty essays of the Late Ming Dynasty,and Library of the Late Ming Dynasty).It mainly includes the editor’s view of the sketch,the style of the selection,the characteristics of the writer selection,and the differences in the selection of works.Through the detailed and in-depth excavation of the selection,sorting out the unique features of each selection and the similarities and differences between the selection and the selection.The third part is mainly according to the order of publication time,each chapter combs a selection,divided into four chapters.The compilation background and thought presentation of the four anthologies are summarized and summarized respectively.On the basis of the above,the four anthologies sort out the evolution trend from "ambition" to "romance" to"character" and finally "pluralistic coexistence".At the same time,it reveals that behind this evolution trend,it is mainly influenced by multiple factors such as the literary standpoint,literary interest and the environment of The Times.