One The ’Primitive Image’ Of ’Wild Grass’ And Its Reconstruction

Lu Xun came into contact with literary anthropology in his youth and formed his own related thoughts,which had an important influence on his literary creation.However,the related research from the perspective of this theory is insufficient.Therefore,based on Jung’s " prototype " theory,this paper classifies and interprets the " original image " in " wild grass " by using the concept of " original image," sorts out the prototype image of collective unconsciousness in the text,and discusses Lu Xun ’s reconstruction behavior,reconstruction mode and reconstruction significance of " original image."The thesis is divided into three parts.The first part is to discuss Lu Xun’s thoughts on literary anthropology,mainly from two aspects:Lu Xun’s partial views on mythology,Lu Xun ’s enthusiasm and collection of original materials.The second part classifies and interprets the ’original image ’ in ’ weeds ’,which is mainly divided into two categories:the first category is the witchcraft ceremony.This paper discusses three kinds of primitive behaviors in ’Weeds ’:primitive dance,sound witchcraft and religious sacrifice.The paper argues that ’ Weeds ’ is a sacred primitive ritual that combines dance,song and music.It contains the collective unconsciousness of the nation,and is the form of witchcraft rituals with gestures,sounds and intoxicating music as the main content.Differentiation,the purpose is to sacrifice the hero of the era of sin.The second category is the primitive belief.Explore the primitive beliefs in’Wild Grass’:animal worship and nature worship.On the belief of the early people,the point of view of the paper is that Lu Xun ’s preference for snakes and owls is to regard snakes as their own totem animals,and owls as partners in the struggle against foreign forces.The worship of natural gods also exists in the belief of ’weeds’.The third part is to analyze Lu Xun ’s reconstruction of the form and meaning of ’weeds’ and ’primitive images’.The "original images " in the text of " weeds " are divided into two categories.One is the image without the prototype meaning of " escape," which originates from Lu Xun ’s potential collective unconscious.One is the image reconstructed by Lu Xun based on anthropological thought.There are three ways of image reconstruction:reverse deformation,demythological color and morphological regulation.The significance of the reconstruction of the image lies in the fact that a life ceremony is carried out by means of ’weeds ’.In this ceremony,Lu Xun draws on the power of totem and belief,inherits the primitive vitality of wildness,recasts the already declining national spirit,and hopes that it will be ’ new ’ in the new era.In the mixed period of war,the invasion of foreign civilization made China have to accept a broken civilization,but the broken civilization is contrary to the deep concept of the whole continuation of the nation.As a generation in the historical transition period,Lu Xun accepted the advanced foreign civilization,but also thought about how to continue the root of the nation.