On The Construction Of Zheng Min’s "Poetry Of Life" Since The New Period

Since the new era,"returning poet" Zheng Min has returned to the literary world.Facing the complex and changing world situation,Zheng Min used "intellectualization" to experience life,integrated Eastern and western cultural resources,and constantly maked innovations and breakthroughs,forming the unique charm of "life poetry Theory".An in-depth study of Zheng Min’s "Theory about life Poetry" formed since the New period was helpful to correct the deficiencies of the new generation of poets in their poetic practice,and also provided inspiration for the development of "theory of life poetry" in the present and future,and promoted the century-old modernization of new poetry.This paper is divided into three parts:The first part is the preface.Clarify the research object,clarify Zheng Min’s main position in the development of century-old new poetry.Secondly,it combs the research status and shortcomings of Zheng Min’s "Theory of life poetry" at home and abroad.On this basis,it puts forward its own views and Outlines the significance and value of this view.The second part is the main text,which is divided into four chapters:The first chapter explores the evolution of "life poetics" and Zheng Min’s continuation.China’s "theory of life poetry" began in the May 4th New Literature period,and Zheng Min continued the view of "theory of life poetry" on its basis.The second chapter explains the theoretical construction of "vital poetry theory".The unconsciousness of life,the "intellectualized" view of life and the harmonious view of heaven and man are of great significance to the formation of Zheng Min’s "Theory of life poetry".From the view of life to the "poetics of life","communication" builds a bridge of dialogue between poetry and life.In addition,as the core connotation of "life poetry theory",life unconsciousness plays an important role in the construction of poetic language and the generation of poetic image.The third chapter analyzes the textual presentation of "life poetics".In terms of themes,Zheng Min writes about the contradictory characteristics of life,discusses the cycle of "from birth to death,from death to life",and attaches importance to death from the perspective of a poet.In the aspect of image shaping,it interprets the true meaning of life with the unconscious image and releases the life depression with the conscious image.In terms of language use,national character and semi-transparent words and words with strong life-shaking power are excavated,and lines of poetry with visual shock are constructed to show vitality and creativity of life.The fourth chapter discusses Zheng Min’s "Theory of Life Poetry".Zheng Min’s"Theory of Life Poetry" reveals the essence of life in poetry,builds the relationship between poetry and human destiny community,and explores the development path of new poetry.However,Zheng Min’s "Theory of life poetry" still has shortcomings in the aspects of concept generation,application value,examples of poetry criticism and so on.Reflecting and examining the shortcomings of Zheng Min’s "Theory of life poetry" formed since the new period is helpful to the deep development of contemporary poetics.The third part is the conclusion,which synthesizes the four chapters of the main text,summarizes the basic characteristics of Zheng Min’s "life poetry theory" since the new period,demonstrates the construction significance of Zheng Min’s "life poetry theory",and puts forward expectations for the construction of China’s "life poetry theory".