Research On The Application Of Constructivism Theory In Dance Teaching In Musicology (teacher Training) Majo

In the international movement for the protection of intangible cultural heritage,"authenticity",as an important principle and evaluation standard for maintaining the authenticity of intangible cultural heritage,has been widely used by all countries in the world,and has always been the goal of intangible cultural heritage protection.However,due to its intrinsic ambiguity and uncertainty,it has never been possible to form a unified and fixed standard.Therefore,clarifying the specific characteristics of "authenticity" in a specific scope,analyzing the development and changes of one’s own cultural attributes in the process of inheriting heritage,and then carrying out inheritance and innovation have become the inevitable path for the inheritance and protection of intangible cultural heritage.Haiyang Yangge has been listed as an intangible cultural heritage since 2006,and in the process of inheritance and development,it has achieved the transformation from folk entertainment to classroom teaching and stage art,and has gradually become well-known to the public.The industry’s most authoritative and oriented "Lotus Award" national folk dance award competition,there are also many dance works created using Haiyang Yangge as the material in the previous participating programs.However,the material is not equal to the work,and it cannot be directly put on the stage.In the modern context of responding to the national policy of "double creation",the exploration of maintaining the transmission of cultural authenticity in the creation of folk dance is particularly important.Today,compared with the protection of intangible cultural heritage,dancers should perhaps pay more attention to how to maintain and present the authenticity of folk dance culture in the context of modernity.Therefore,the author takes the specific case of Haiyang Yangge as an example to put forward three questions about the transmission and transformation of cultural authenticity in the form of work:How to identify and grasp the specific connotation of the authenticity of Haiyang Yangge culture? On the basis of authenticity,in what way does the Haiyang Yangge of the life form be transformed into a work of art in the form of a work? How to grasp the "degree" of inheritance and development in the process of creating a work with authenticity?Let’s discuss the above questions with us.Through the use of the research method of art anthropology,the pursuit of cultural authenticity,and the recent art work "Goods Lang Little Jun Cuihua" created by Haiyang Yangge expert Zhang Yinsong as a specific case study,this paper discusses the transmission and transformation path of authenticity in the form of works,and demonstrates the importance of authenticity in the creation of Shandong folk dance works.This article is divided into three parts.The first part mainly analyzes and summarizes the cultural authenticity of Haiyang Yangge;The second part mainly analyzes and sorts out the transmission of the authenticity of Haiyang Yangge culture in the work "Cargo Lang Little Jun Cuihua";The third part compares "Cargo Lang Xiaojun Cuihua" with other Shandong folk dance art works since the "double creation" policy was proposed,dialectically looks at the creation of Shandong folk dance works,and grasps the "degree" between inheritance and development on the basis of cultural authenticity as the core.Finally,it is concluded that the creation of Shandong folk dance should strictly take "cultural authenticity" as the measurement standard,grasp the problem of "degree" between inheritance and development,and clearly understand the cultural value and responsibility carried by itself.Develop in inheritance,inherit in development,promote the integration of Shandong folk culture into modern knowledge system and ideological system,and continue its own cultural charm.