A Comparative Study On The Poetry Creation Of Ji Yun And Hong Liangji’s Exile In Xinjiang Region

During the Qing Dynasty,among the literati exiled to Xinjiang and left related poems,the Qianlong and Jiaqing dynasties had the largest number of people,including Ji Yun and Hong Liangji,two well-known literati from Qianjia.In their early years in the capital,they were in contact with each other,and exiled to Xinjiang by coincidence at different times.The exile to Xinjiang was undoubtedly a major setback in their lives,but it was also a blessing in their literary creation career.This article takes the poetry created by the two people during their exile in Xinjiang as the comparative research object,striving to objectively and comprehensively display the similarities and differences in their poetry creation in exile in Xinjiang,and combining the relevant era background and their respective temperament experiences to compare and analyze the reasons for the similarities and differences in their creation,so as to realize the richness of their poetry creation in exile in Xinjiang’s regional literature and the exploration of the Qianjia poetry world.The first chapter of this article mainly introduces the high-pressure ideological and cultural background of the Qianjia period and the exile policy in Xinjiang in the Qing Dynasty.It outlines the beginning and end of the exile of Ji Yun and Hong Liangji in Xinjiang,with an understanding of society and the author entering into the understanding of the work.The Qianlong and Jiaqing dynasties were the periods in which the largest number of literati left poems among Xinjiang’s exiles in the Qing Dynasty.One reason was that the high-pressure rule of Qianjia led to a significant increase in the number of exiles,including many literati.The second reason is that the Qing government transferred the migrants from the northeast to the Xinjiang.Ji Yun was exiled to Xinjiang for more than two years due to his involvement in the Liang Huai Yan Yin case.Hong Liangji was garrisoned in Xinjiang for writing a letter to Jiaqing,and was pardoned within a hundred days.The two people visited their place in person and expressed their true understanding and inner feelings of Xinjiang as a migrant.The second chapter discusses the common theme selection and different care objects of Ji Yun’s and Hong Liangji’s exiled Xinjiang poetry.Ji Yun and Hong Liangji completed the reproduction of Xinjiang’s natural scenery in the same poetic theme creation,creating a true and multifaceted Xinjiang literary landscape.However,different exile experiences and emotional experiences have led them to choose two very different objects of care,namely,the reclamation cause and the dispatch group.The third chapter analyzes and compares the artistic expression of Ji Yun’s and Hong Liangji’s Xinjiang poetry.Ji Yun and Hong Liangji were both literati exiled to Xinjiang during the Qianjia period.Under the constraints and influence of the same social and political environment and literary trends,they jointly chose the genre of Zhu Zhi Ci in artistic expression to recite the local customs of Xinjiang,and used a large number of poetic annotations to supplement their poetic content.However,based on the unique artistic style of their poetry,Ji Yun’s poetry in exile in Xinjiang is mainly characterized by its documentary nature,while Hong Liangji’s poetry is characterized by its "strange and overflowing spirit".The fourth chapter mainly explores the emotional implications of Ji Yun and Hong Liangji’s works in exile in Xinjiang based on their respective temperament experiences.Poetry is the external expression of a poet’s spiritual experience,which hinders the freedom of his identity.The content of Ji Yun’s and Hong Liangji’s poetry is mostly descriptions of scenery and records of experiences,with implicit emotions.This chapter first examines the complex emotional implications of their exile poems in Xinjiang from three aspects:longing for home,fearing for self preservation,and praising unity,and analyzes the differences in specific emotional intensity.Then,it discusses the reasons for the differences in emotional expression based on the relevant era background and personal personality.