| Chinese folk songs are a numerous and flourishing genre of ethnic folk music in China,a true reflection of our people in terms of life and production.With the awakening of the vast number of farmers and herdsmen in modern times,folk songs have been revitalized again as a weapon in the people’s minds.The folk songs of northern Shaanxi have distinctive local characteristics.In this simple yellow land,people sing a vivid story with their high and loud voices,expressing the most sincere emotions of their hearts.The folk song "Blue Flower",as a classic representative of the folk songs of Xintianyou in northern Shaanxi,has endured through the passage of time and is still well known to everyone,and composers have created a variety of vocal or instrumental genres around "Blue Flower".In the case of piano music composition,different composers have also composed it at the same time,using different techniques to present the folk song well on the piano,a polyphonic instrument.The introductory section explains that the source of this thesis is to explore the importance of folk song adaptations in the development of Chinese piano music,as well as to discuss the methodology and purpose of studying this thesis.The main body of the thesis focuses on four aspects.1.Introducing the origin of the folk song "Blue Flower",the basic musical structure,followed by a brief introduction to the works of the three composers(the background of their creation).2.Exploring the compositional techniques and styles of the three adaptations,cutting through the analysis in terms of song structure,modal harmony,melodic development techniques,meter and tempo.3、Compare and summarize the three pieces in terms of the similarities and differences in performance techniques,such as the same techniques of continuo playing,arpeggios,chords,fingerings,etc.,or the differences in playing styles such as key touch and pedal.4.The comparative analysis of the three adaptations is used to derive their teaching value... |
PDF Full Text Request