| Qufu wood carving,as a traditional Chinese carving skill,has a long history and great value.It is full of rich Qufu Confucian historical and cultural information and has distinct local characteristics and customs,which can strongly show regional characteristics and style to the world.Qufu Kai Wood Carving(No.: VII--58),a national intangible cultural heritage project,is selected as the research object of protection and inheritance.From the perspective of learning from the excellent national intangible cultural heritage protection and inheritance mode,it is analyzed in combination with the intangible cultural heritage protection and inheritance theories such as interest subjects,heritage activation and community participation.From the current situation,problems,countermeasures and other aspects,this paper studies Qufu Kai Wood carving,a national intangible cultural heritage project,by means of interviews,field visits,literature review and other methods,hoping to inject a force into the protection and inheritance of our intangible cultural heritage.This paper is divided into five chapters: the first chapter is the introduction,which mainly discusses and summarizes the background,reasons,significance,research status at home and abroad,research methods,etc.It defines the nomenclature and concept of national intangible cultural heritage,inheritance mode and productive protection of intangible cultural heritage.Community participation theory,heritage active protection theory and stakeholder theory are summarized.The second chapter introduces the general situation of Qufu Kai Wood carving,mainly from the historical origin,twists and turns of the development course,the main forms of Qufu Kai wood carving art,the craft art of Qufu Kai wood carving,the Confucian aesthetic characteristics of Qufu Kai wood carving.The value of Qufu Kai wood carving is analyzed from the aspects of Qufu historical and cultural deposits,Qufu Confucian cultural resources,Qufu Kai wood carving history,aesthetic,cultural,scientific value and so on.The third chapter is the protection and inheritance status quo of Qufu Kai Wood carvings.It mainly investigates and interviews relevant departments and personnel through questionnaires,interviews and other methods,summarizes and gives feedback on the results,and summarizes the protection and inheritance status quo of Qufu Kai wood carvings by combining with relevant literature.The fourth chapter is the main problems in the protection and inheritance of Qufu Kai wood carving,mainly in the aspects of materials,inheritance,protection,identity,protection and inheritance mode.Chapter Five: Protection and inheritance strategies of Qufu Kaisai Wood Carving,a national intangible cultural heritage project.As a national intangible cultural heritage project,China has formed major modes of protection and inheritance in many places,which is of reference significance for Qufu Kaisai wood carving.It mainly summarizes five types of protection and inheritance modes of national intangible cultural heritage: Modern apprenticeship protection and inheritance mode of intangible cultural heritage,government-oriented protection and inheritance mode of intangible cultural heritage,enterprise initiative protection and inheritance mode of intangible cultural heritage,"intangible cultural heritage +" active protection and inheritance mode,community participation mode of intangible cultural heritage protection and inheritance mode.Each mode lists how representative national intangible cultural heritage is carried out in the protection and inheritance work,and summarizes the experience from it.According to the current situation and problems combined with the results of the investigation and interview and relevant theories to make countermeasures and suggestions. |