Paul Villio’s Speed Aesthetics Study

This paper focuses on the idea of speed aesthetics,and discusses the aesthetic thought and theoretical connotation of his speed ontology.Vilirio’s speed aesthetics is deeply influenced by the phenomenology of Husserl and Meropti.With the help of phenomenological aesthetic discourse,Vilirio gives aesthetic connotation to the speed that originally belongs to the category of physics.Villio believes that speed shapes the perceptual experience of the perceptual subject,and that the presentation of phenomenal events depends on the speed medium,and that speed is the source of perception and technology.This paper discusses the theoretical origin of speed aesthetics,thedisappearance dimension and the perceptual dimension.Marxist aesthetics defines the connotation and characteristics of acceleration from the two aspects of macro material production acceleration and capital acceleration,and forms the classical historical materialism discussion of acceleration Villio starts from the micro dimension of body sensibility,and emphasizes speed as the source of perception.Speed is the basic element between individuals and real life.It maintains the correlation between phenomena and things,and speed has isomorphism with the perceptual forms of individuals.Real-time speed creates the "disappearing aesthetics"."Disishing" has become the universal aesthetic perception.Phenomenological events are perceived through the transmission of technical speed.In this process,technical speed eliminates the closeness between the body and the world,and the body does not really perceive and experience phenomenal events in the speed space.Technology accelerates the continuous time existence,and the continuity and integrity of time are rapidly compressed into the "instant moment" by technology.In the close time dimension of "instant moment",modern subjects feel a "denarrative","decontextualization" and depersonalized strongly stimulated aesthetic experience.At the same time,the speed of technology causes the wavering of the real dimension of real life,and the real-time speed constructs the "alternative" reality different from the quasi-image reality.The aesthetic experience,emotional structure and value concept of the subject of life have all become the object of shaping by technology,presenting the characteristics of "de-personalization" The subject of life is bound by the speed of technology and loses its unique aesthetic experience.