The Artistic Characteristics And Interpretation Of Li Yinghai's Classical Poetry And Art Song

Mr.Li yinghai is a famous contemporary composer,national music theorist and music educator.In the creation of classical poetry and art songs,he inherited the creation tradition of musicians since the May 4th movement,and made beneficial exploration and innovation in the integration of western modern composition technology theory and Chinese traditional national music elements,and made outstanding achievements.There are altogether 14 classical poetry and art songs created by Mr.Li yinghai,among which the solo vocal suite "three tang poems" is the most influential.This work is a typical representative of Chinese classical poetry and art songs since the new era,and it is still loved and welcomed by music lovers and professional vocal singers.Because the work reflects Mr.Li yinghai’s modern creation conception and skilled music writing technique,on the basis of inheriting the tradition,it is rich in the temperament of the new era and reproduces the artistic spirit of Chinese classical poetry.Therefore,this paper will take the solo vocal song "three tang poems" as the main research ontology,and analyze the inheritance,innovation and musicality of the works as the entry point,and combine the western music performance technology theory,to carry out the research on the artistic characteristics and interpretation of li yinghai’s classical poetry and art songs.The introduction of this paper will outline the historical origin,development and evolution,classification and artistic trend of classical poetry and art songs.This paper introduces Mr.Li yinghai’s creation process of music and his creation of classical poetry and art songs.In addition,relevant academic achievements in recent years are summarized.The first chapter takes "three tang poems" as the research body to expound its national music creation style.The second chapter analyzes the modern characteristics of li yinghai’s classical poetry and art songs by analyzing the thematic development,tonality layout,harmony progression and form structure of the three tang poems.The third chapter,based on the theory of music performance art proposed by Roman ingarten,the representative of western phenomenological aesthetics school,discusses the relationship between the music ontology and its interpretation of three tang poems by contemporary vocal singers.To display the national connotation and highlight the characteristics of modern art;To grasp the artistic conception of the works and the influence and reference function of the reproduction of modernity and the construction of the metrical rhyme of classical poetry,and to provide some referential theoretical basis for the vocal singers to perform the three tang poems in the stage practice of modernity.Thinking in the end,Mr Li Ying sea between inheriting classic and modern multi-dimensional innovation,combining characteristics of traditional Chinese national music culture and modern western music and technology theory of balance,to summarize and prospect of modernity Li Ying sea Mr Interpretation of the classical poetry art song "three first in tang poems" to improve the art accomplishment of audience and vocal music performers,promoting the value of vocal music teaching,carry forward the national culture inheritance significance and function,for classical poetry culture innovation,to provide some valuable reference.